Films & Schedules - Sunday, February 8, 2015

Set during World War II in the French Alps, Belle and Sebastian is based on a beloved 1960s French TV series featuring resourceful young Sebastian and the giant mountain sheepdog he calls Belle. Sebastian is a lonely six-year-old boy who dreams of the day his mother will return from America—the place that his adoptive grandfather tells him she’s gone. He finds needed companionship with “the beast” that local farmers are convinced is killing their sheep—an enormous sheepdog that quickly proves anything but dangerous, instead becoming the boy’s best friend and protector. With Nazis rooting out the Resistance fighters helping...

Set during World War II in the French Alps, Belle and Sebastian is based on a beloved 1960s French TV series featuring resourceful young Sebastian and the giant mountain sheepdog he calls Belle. Sebastian is a lonely six-year-old boy who dreams of the day his mother will return from America—the place that his adoptive grandfather tells him she’s gone. He finds needed companionship with “the beast” that local farmers are convinced is killing their sheep—an enormous sheepdog that quickly proves anything but dangerous, instead becoming the boy’s best friend and protector. With Nazis rooting out the Resistance fighters helping Jewish refugees cross the border, Belle and Sebastian soon prove their courage. 

FILM REVIEW

Sponsored by TV5Monde and the French American International School.

104 Minutes    

Interests: Family Fare.

Sergi and Alex, a young couple in Barcelona, are ready to take their passionate affair to the next level when 10,000 kilometers suddenly come between them. Alex is offered a year-long, all-expenses-paid artist’s residency in Los Angeles. Sergi, hesitant at first, encourages Alex to follow her dream, leaving them with only one way to bridge the divide: digital. With Skype acting as their savior, we witness the happy, painful, and revelatory process of a long-distance relationship sustained-and reinvented-through the ether. 10,000 KM mediates our experience, as it does theirs, through texts, video chats, and social media updates, probing the nature...

Sergi and Alex, a young couple in Barcelona, are ready to take their passionate affair to the next level when 10,000 kilometers suddenly come between them. Alex is offered a year-long, all-expenses-paid artist’s residency in Los Angeles. Sergi, hesitant at first, encourages Alex to follow her dream, leaving them with only one way to bridge the divide: digital. With Skype acting as their savior, we witness the happy, painful, and revelatory process of a long-distance relationship sustained-and reinvented-through the ether. 10,000 KM mediates our experience, as it does theirs, through texts, video chats, and social media updates, probing the nature of technology and connection while it chronicles the story of a young couple separated not only by distance, but also dreams and desires.

Director Carlos Marquez-Marces in attendance 2/18 and 2/21.

FILM REVIEW

99 Minutes    

In a snowy Kurdish mountain village in the east of Turkey, an old woman and her granddaughter are distressed. The only man in the household, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrests all the town’s men and announces that they will be kept in prison until their families hand over the weapons. The problem is that no weapons actually exist. Desperate, the pair embarks on a long journey in search of a gun that they can...

In a snowy Kurdish mountain village in the east of Turkey, an old woman and her granddaughter are distressed. The only man in the household, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrests all the town’s men and announces that they will be kept in prison until their families hand over the weapons. The problem is that no weapons actually exist. Desperate, the pair embarks on a long journey in search of a gun that they can exchange for their beloved family member. “A beautifully crafted drama whose traditional storytelling movingly conveys a sense of a community burdened by loss.”—Variety. Audience Awards, Istanbul and Milan Film Festivals.

FILM REVIEW

105 Minutes    

Winner of the Audience Best Canadian Feature at the Toronto International Film Festival, Felix & Meira is set in Montreal’s Mile End neighborhood, characterized by a mixture of hipsters and Hasidism, which coexists amicably but independently. When Meira, an Orthodox Jewish wife and mother with an undercurrent of rebelliousness, meets Félix, a middle-aged atheist-loner adrift grieving the recent death of his estranged father, Félix hopes her religious devotion will provide insight into his loss. Though she rebuffs him at first, a mutual, slow-blooming affair takes shape that will present Meira with a difficult fork in the road: remain within the...

Winner of the Audience Best Canadian Feature at the Toronto International Film Festival, Felix & Meira is set in Montreal’s Mile End neighborhood, characterized by a mixture of hipsters and Hasidism, which coexists amicably but independently. When Meira, an Orthodox Jewish wife and mother with an undercurrent of rebelliousness, meets Félix, a middle-aged atheist-loner adrift grieving the recent death of his estranged father, Félix hopes her religious devotion will provide insight into his loss. Though she rebuffs him at first, a mutual, slow-blooming affair takes shape that will present Meira with a difficult fork in the road: remain within the community she has always known or pursue an uncertain future outside of it. In French, English, and Yiddish with English subtitles.

FILM REVIEW

Sponsored by TV5Monde.

105 Minutes    

Interests: Jewish.

Sponsored by Pond5, Member's Media, and the Governor’s Office of Film and Television. Join us for a reception following the screening, sponsored by Pond5.

95 Minutes    

Interests: Short Cuts.

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ROUGHSTOCK

DIRECTOR: JESSICA BACLESSE - (PORTLAND)

An injured rodeo star must juggle his dreams with his responsibilities.

14 Minutes    

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INVISIBLE SAILS

DIRECTOR: MICHAEL ANNUS - (PORTLAND)

A point of merge at a busy traffic artery demonstrates a curious human tendency to cooperate.

7 Minutes    

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MONKEY

DIRECTOR: MATT CHRISTY - (EUGENE)

Sidney’s wife brings a monkey home to live in a giant cage in the middle of their living room, but an aggressive territorialism quickly develops.

5 Minutes    

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LONG WAY GONE

DIRECTOR: AUSTIN WILL - (PORTLAND)

This surreal portrait follows a lost soul navigating ghostly landscapes by motorcycle in search of shelter from a vicious storm.

15 Minutes    

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THE FRAMER

DIRECTOR: DAN SADOWSKY - (PORTLAND)

Portland’s Peter Murdoch builds picture frames that are themselves works of art.

3 Minutes    

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BOTTLE NECK

DIRECTOR: JOANNA PRIESTLEY - (PORTLAND)

Still life silhouettes, abstract shapes, and complex, interlocking patterns renovate the commonplace objects of a classical painting genre in a modern setting.

3 Minutes    

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SHERLOCK HOMELESS

DIRECTOR: MYCHAL SARGENT, MATT CORNELIUS - (EUGENE)

Tallboy Tarrance lacks a home and traditional charm, but has a knack for solving mysteries.

5 Minutes    

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LAYOVER

DIRECTOR: VANESSA RENWICK - (PORTLAND)

Swirling in flight, the Vaux’s Swifts layover for three weeks in Portland each fall on their migration to South America.

6 Minutes    

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AMERICAN GLADIATORS

DIRECTOR: LARA GALLAGHER - (PORTLAND)

Jean’s little sister, Mae, may be gravely ill, but Jean is sick of it.

11 Minutes    

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A YEAR & A DAY

DIRECTOR: PAM MINTY - (PORTLAND)

A series of images of Bond Butte taken each month over the course of a year precede a series of the same butte taken hourly on June 21, 2014.

2 Minutes    

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MELVIN THE BIRDER

DIRECTOR: DAVID EMMITE, SPENCER LOTT - (PORTLAND)

Melvin is a lonely fellow who is obsessed with capturing every species of woodpecker known to man.

5 Minutes    

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THE PUNISHING BUSINESS

DIRECTOR: HEATHER HARLOW - (PORTLAND)

Life isn’t easy for Ellen, her parole officer, or her developmentally disabled neighbor.

19 Minutes    

After Japan’s surrender at the end of World War II, the lives of brothers Junpei and Kanta are turned upside-down as the Soviet Union occupies their small island of Shikotan, and they must work to keep their family together while struggling to understand an unfamiliar culture. Their new friend Tanya, a Soviet girl their age, helps make the transition smoother, but it’s not long before Junpei and Kanta are separated from their father and sent away from their home. Based on true events, as well as the classic Japanese novel Night on the Galactic Railroad, Giovanni’s Island is a beautifully...

After Japan’s surrender at the end of World War II, the lives of brothers Junpei and Kanta are turned upside-down as the Soviet Union occupies their small island of Shikotan, and they must work to keep their family together while struggling to understand an unfamiliar culture. Their new friend Tanya, a Soviet girl their age, helps make the transition smoother, but it’s not long before Junpei and Kanta are separated from their father and sent away from their home. Based on true events, as well as the classic Japanese novel Night on the Galactic Railroad, Giovanni’s Island is a beautifully animated story about the importance of familial bonds and persevering through the greatest of hardships. In Japanese and Russian with English subtitles. 

FILM REVIEW

Sponsored by the Consular Office of Japan in Portland and LAIKA.

102 Minutes    

Interests: Animation, Family Fare, History.

After a decade in prison for second-degree murder, hardened but broken 35-year-old Ertan is intent on making a new start by staying away from the criminal world, but nobody really believes him. Returning to the grim streets of Vienna, he seeks out his son Mikail, now a teenager and unaware that his father even exists. Mikail dreams of being a rapper, but has turned to drug dealing and stealing to get his career started. To try and save his son from the life that ruined his own, Ertan works his way into his son’s quickly spiraling world without letting...

After a decade in prison for second-degree murder, hardened but broken 35-year-old Ertan is intent on making a new start by staying away from the criminal world, but nobody really believes him. Returning to the grim streets of Vienna, he seeks out his son Mikail, now a teenager and unaware that his father even exists. Mikail dreams of being a rapper, but has turned to drug dealing and stealing to get his career started. To try and save his son from the life that ruined his own, Ertan works his way into his son’s quickly spiraling world without letting on who he really is. But what will happen when the inevitable truth is bound to come out? In German and Turkish with English subtitles. 

FILM REVIEW

105 Minutes    

Mózes, a rather neurotic young man in his twenties, is unable to meet his domineering father’s expectations. So when his father suddenly has a heart attack and dies, Mózes is almost relieved; the pressure on him has been lifted. But at the funeral he notices his father’s disoriented ghost, which, although it cannot speak, follows him around, confused and searching. Mózes panics at first, then decides to complete his father’s unfinished tasks because, according to a spiritualist car repair man, this is the only way to get rid of a ghost. This energetic coming-of-age story from female director Virág Zomborácz...

Mózes, a rather neurotic young man in his twenties, is unable to meet his domineering father’s expectations. So when his father suddenly has a heart attack and dies, Mózes is almost relieved; the pressure on him has been lifted. But at the funeral he notices his father’s disoriented ghost, which, although it cannot speak, follows him around, confused and searching. Mózes panics at first, then decides to complete his father’s unfinished tasks because, according to a spiritualist car repair man, this is the only way to get rid of a ghost. This energetic coming-of-age story from female director Virág Zomborácz won the Best Feature Award at the Valladolid Film Festival, where it earned audience kudos with its fresh blend of sweet absurdity, high drama, and inventive style.

FILM REVIEW

95 Minutes    

Plisson’s César-winning documentary extols the true worth of getting, and getting to, an education. Shot in Kenya, Patagonia, Morocco, and the Bay of Bengal, the film follows the perilous journeys of four children on their ways to school: Jackson crosses the savannah on foot, avoiding elephants; Carlito rides on horseback across lonely plains and rushing rivers; Zahira treks over treacherous Atlas Mountain passes; Samuel, in his antediluvian wheelchair, is pushed by his brothers over sand dunes and through swamps. While the breathtaking cinematography reveals the splendor of their homelands and the dangers of these voyages keep you on the edge...

Plisson’s César-winning documentary extols the true worth of getting, and getting to, an education. Shot in Kenya, Patagonia, Morocco, and the Bay of Bengal, the film follows the perilous journeys of four children on their ways to school: Jackson crosses the savannah on foot, avoiding elephants; Carlito rides on horseback across lonely plains and rushing rivers; Zahira treks over treacherous Atlas Mountain passes; Samuel, in his antediluvian wheelchair, is pushed by his brothers over sand dunes and through swamps. While the breathtaking cinematography reveals the splendor of their homelands and the dangers of these voyages keep you on the edge of your seat, at the heart is the children’s resilience and their unstoppable yearning to learn and improve their lives. Ages 10+.

FILM REVIEW

Sponsored by The World Affairs Council of Oregon, the Consulate General of France and French American Cultural Society, San Francisco, and TV5Monde.

77 Minutes    

Interests: Family Fare, Documentary.

Petzold’s riveting film follows Nelly (Nina Hoss), a concentration camp survivor returning to Berlin, in her search for Johnny (Ronald Zehrfeld), the husband she still loves who may or may not have betrayed her to the Nazis. Set in the period immediately following the war that gave rise to the Trümmerfilm (literally “rubble film”)—or “After the Camp,” as Petzold puts it—Phoenix is an engrossing reflection on the postwar reconstruction of identity couched as a noirish thriller of mistaken identity. Co-written with the late writer/artist Harun Farocki, it is a precisely crafted chamber piece, resonant and gripping, softly building up to...

Petzold’s riveting film follows Nelly (Nina Hoss), a concentration camp survivor returning to Berlin, in her search for Johnny (Ronald Zehrfeld), the husband she still loves who may or may not have betrayed her to the Nazis. Set in the period immediately following the war that gave rise to the Trümmerfilm (literally “rubble film”)—or “After the Camp,” as Petzold puts it—Phoenix is an engrossing reflection on the postwar reconstruction of identity couched as a noirish thriller of mistaken identity. Co-written with the late writer/artist Harun Farocki, it is a precisely crafted chamber piece, resonant and gripping, softly building up to knock-out finale. “The final scene, without spoiling anything, is a movie moment for the ages.”—Roger Ebert.com.

FILM REVIEW

Sponsored by Zeitgeist Northwest and the Oregon State University Language Department.

98 Minutes    

Interests: History.

Nadezhda is a young, hardworking teacher in a small Bulgarian town. One day she is shocked to discover that there is a thief in her class. Determined to find out who it is so she can teach him or her the difference between right and wrong, at the same time she is frantically struggling to deal with the looming foreclosure on her house and the squanderings of her unemployed, drunk husband. As financial ruin closes in, personal values meet their test. Grozeva and Valchanov maintain a seemingly dispassionate air in the face of their heroine’s escalating desperation, a distance that...

Nadezhda is a young, hardworking teacher in a small Bulgarian town. One day she is shocked to discover that there is a thief in her class. Determined to find out who it is so she can teach him or her the difference between right and wrong, at the same time she is frantically struggling to deal with the looming foreclosure on her house and the squanderings of her unemployed, drunk husband. As financial ruin closes in, personal values meet their test. Grozeva and Valchanov maintain a seemingly dispassionate air in the face of their heroine’s escalating desperation, a distance that only increases their story’s emotional impact. The Lesson offers a tough, unsentimental education in the limits of honesty when confronted with brutal economic reality. New Director Prize, San Sebastian Film Festival. First feature. 

FILM REVIEW

105 Minutes    

Inspired by the life of Marie Heurtin, Marie’s Story is a playful, inspirational, and moving emotional journey between teacher and student set in the 19th century French countryside. Fourteen-year-old Marie arrives at a school for deaf girls run by Catholic sisters. Born deaf and blind and trapped ever since in a world of darkness and silence, she is, at first, wild, disheveled, and nearly unreachable. But the idealistic Sister Marguerite feels a deep and instant need to free her from her sensory prison. Featuring fierce performances by newcomer Ariana Rivoire as the courageous young woman struggling to connect to...

Inspired by the life of Marie Heurtin, Marie’s Story is a playful, inspirational, and moving emotional journey between teacher and student set in the 19th century French countryside. Fourteen-year-old Marie arrives at a school for deaf girls run by Catholic sisters. Born deaf and blind and trapped ever since in a world of darkness and silence, she is, at first, wild, disheveled, and nearly unreachable. But the idealistic Sister Marguerite feels a deep and instant need to free her from her sensory prison. Featuring fierce performances by newcomer Ariana Rivoire as the courageous young woman struggling to connect to the world and Isabelle Carré as her idealistic mentor, Améris has fashioned a story that awakens the heart and the senses.

FILM REVIEW

 

Sponsored by TV5Monde.

95 Minutes    

Interests: History.

Lebanon’s Best Foreign Language Film Oscar submission is a gently barbed social satire about bigotry and redemption that unfolds in a traditional Lebanese coastal town. After having two daughters with his childhood sweetheart Lara, a beloved music instructor Leba has a son. Unfortunately, Ghadi is born with Down syndrome and the loud noises he makes trying to imitate his father’s singing start to take a toll on the neighbors. Without much understanding of the disability, the village people start calling the boy a “demon” and try to evict him from the town. Unwilling to send his son to an institution,...

Lebanon’s Best Foreign Language Film Oscar submission is a gently barbed social satire about bigotry and redemption that unfolds in a traditional Lebanese coastal town. After having two daughters with his childhood sweetheart Lara, a beloved music instructor Leba has a son. Unfortunately, Ghadi is born with Down syndrome and the loud noises he makes trying to imitate his father’s singing start to take a toll on the neighbors. Without much understanding of the disability, the village people start calling the boy a “demon” and try to evict him from the town. Unwilling to send his son to an institution, Leba hatches a clever plan to convince his neighbors to change their minds. “Conceived in a fanciful vein that Frank Capra might well have appreciated.”—Variety.

FILM REVIEW

100 Minutes    

Interests: Oscar Submissions.

This intimate portrait of classical pianist, composer, author, teacher, and sage Seymour Bernstein offers a wise and charismatic reflection on art and life. The question “why make art?” winds its way through the film in conversations with accomplished friends such as art critic Michael Kimmelman and religious scholar Andrew Harvey. Seymour also reflects on the careers of such pianists Glenn Gould and Clifford Curzon, seen in archival footage, and his deep love of piano music proves infectious. “Calling to mind My Dinner With Andre, his film is full of urbane conversation and infused with the sophisticated rhythms of New York...

This intimate portrait of classical pianist, composer, author, teacher, and sage Seymour Bernstein offers a wise and charismatic reflection on art and life. The question “why make art?” winds its way through the film in conversations with accomplished friends such as art critic Michael Kimmelman and religious scholar Andrew Harvey. Seymour also reflects on the careers of such pianists Glenn Gould and Clifford Curzon, seen in archival footage, and his deep love of piano music proves infectious. “Calling to mind My Dinner With Andre, his film is full of urbane conversation and infused with the sophisticated rhythms of New York City. Whether aficionados or newcomers to the world of classical music, viewers will find much to gain from this introduction to Seymour.”—Toronto Film Festival.

FILM REVIEW

81 Minutes    

Interests: Art, Documentary.

Selected as the closing night film at the Venice Film Festival, Hui’s modernist biopic tells the epic tale of Manchurian essayist and novelist Xiao Hong (1909–1941), one of the most radical and controversial Chinese female writers of the early twentieth century and an iconic historical figure. The film’s title signals the irony of the era through which Hong lived, one of the most turbulent times in Chinese history featuring a seismic shift from dynastic imperial rule to a modern state history. Through all this, Hong survives poverty, family chaos, the Japanese invasion in the 1930s, and post-war trauma. Hui’s...

Selected as the closing night film at the Venice Film Festival, Hui’s modernist biopic tells the epic tale of Manchurian essayist and novelist Xiao Hong (1909–1941), one of the most radical and controversial Chinese female writers of the early twentieth century and an iconic historical figure. The film’s title signals the irony of the era through which Hong lived, one of the most turbulent times in Chinese history featuring a seismic shift from dynastic imperial rule to a modern state history. Through all this, Hong survives poverty, family chaos, the Japanese invasion in the 1930s, and post-war trauma. Hui’s intimate tale of history, love, loss, and poetry is beautifully brought to life by actress Wei Tang as the tenacious, enigmatic Xiao. This year’s Hong Kong submission for the Best Foreign Language Film Oscar.

FILM REVIEW

Sponsored by the Hong Kong Economic and Trade Office, San Francisco.

177 Minutes    

Interests: Oscar Submissions, Art, History.

The formerly luxurious Hotel Nueva Isla in Old Havana is now in ruins, but it is home to people living on the fringes of society, like the retired public servant Jorge. Abandoned by his wife and children, Jorge’s only motivation, like a Don Quixote forgotten and gone astray, is to continue a quest he’s followed for years: dig among the dangerous ruins of the hotel, where he is convinced that the former owners hid valuable objects before fleeing the Cuban Revolution. With a keen eye that is both highly stylized and intimate, Gutiérrez captures Jorge’s life spent doing rudimentary...

The formerly luxurious Hotel Nueva Isla in Old Havana is now in ruins, but it is home to people living on the fringes of society, like the retired public servant Jorge. Abandoned by his wife and children, Jorge’s only motivation, like a Don Quixote forgotten and gone astray, is to continue a quest he’s followed for years: dig among the dangerous ruins of the hotel, where he is convinced that the former owners hid valuable objects before fleeing the Cuban Revolution. With a keen eye that is both highly stylized and intimate, Gutiérrez captures Jorge’s life spent doing rudimentary “maintenance” on a building haunted by faded glory and knowing that with the demolition of the hotel will come the end of an era. 

FILM REVIEW

70 Minutes    

Interests: Documentary.

This year’s Japanese submission for the Best Foreign Language Film Oscar and the winner of the Best Director award at the Montreal World Film Festival, O’s film is set in the grittiest fringes of Hokkaido, a port town in a permanent polluted haze. The traumatized Tatsuo spends his days drifting aimlessly and his nights drinking to oblivion. At a smoke-filled pachinko bar, he meets Takuji, a brash blonde teen parolee, who impulsively invites him to the seaside hovel she shares with her bedridden father, careworn mother, and world-weary older sister Chinatsu. As Tatsuo and Chinatsu take tentative steps towards a...

This year’s Japanese submission for the Best Foreign Language Film Oscar and the winner of the Best Director award at the Montreal World Film Festival, O’s film is set in the grittiest fringes of Hokkaido, a port town in a permanent polluted haze. The traumatized Tatsuo spends his days drifting aimlessly and his nights drinking to oblivion. At a smoke-filled pachinko bar, he meets Takuji, a brash blonde teen parolee, who impulsively invites him to the seaside hovel she shares with her bedridden father, careworn mother, and world-weary older sister Chinatsu. As Tatsuo and Chinatsu take tentative steps towards a relationship, a ray of light in their hopeless world, the happy go lucky Takuji latches on to Tatsuo with unforeseen consequences.

FILM REVIEW

Sponsored by the Consular Office of Japan in Portland and Shigezo Restaurant.

120 Minutes    

Interests: Oscar Submissions.

Devout teenager Maria and her family belong to the ultra-conservative Society of St. Paul. Maria is intent on walking a godly path, and yet she has questions. Why would God give her brother a learning disability? Why does her mother forbid her from seeing a boy from a different church? As the contradictions of devout faith and modern life multiply, Maria eschews the easy way out and chooses to follow the hardest road of all—that of the savior, with all the pain and sacrifice it may entail. Told in single-shot tableaux that parallel Christ’s journey to his own crucifixion, Brüggemann’s...

Devout teenager Maria and her family belong to the ultra-conservative Society of St. Paul. Maria is intent on walking a godly path, and yet she has questions. Why would God give her brother a learning disability? Why does her mother forbid her from seeing a boy from a different church? As the contradictions of devout faith and modern life multiply, Maria eschews the easy way out and chooses to follow the hardest road of all—that of the savior, with all the pain and sacrifice it may entail. Told in single-shot tableaux that parallel Christ’s journey to his own crucifixion, Brüggemann’s provocative film serves as both an indictment of fundamentalist faith’s inflexibility and an exploration of one impressionable teen’s struggle to find her own path in life.

FILM REVIEW

107 Minutes    

Joshua Oppenheimer follows his riveting The Act of Killing (2012), about Indonesia’s anti-communist massacres in the 1960s, with this searing companion piece. Here, focus shifts from the perpetrators to their victims, who decades later seek closure for family members. We accompany Adi, a middle-aged optician caring for his centenarian parents, as he sets out to confront his older brother’s killers. While he probes former death-squad leaders about their roles and revisits the scenes of the crimes, their denial that the killings even occurred proves challenging. In pressing perpetrators to confess, Oppenheimer exposes the high level of accepted misinformation about...

Joshua Oppenheimer follows his riveting The Act of Killing (2012), about Indonesia’s anti-communist massacres in the 1960s, with this searing companion piece. Here, focus shifts from the perpetrators to their victims, who decades later seek closure for family members. We accompany Adi, a middle-aged optician caring for his centenarian parents, as he sets out to confront his older brother’s killers. While he probes former death-squad leaders about their roles and revisits the scenes of the crimes, their denial that the killings even occurred proves challenging. In pressing perpetrators to confess, Oppenheimer exposes the high level of accepted misinformation about the politics, participants, and events that occurred, which are rapidly being erased from cultural memory. In Indonesian and Javanese with English subtitles.

FILM REVIEW

99 Minutes    

Interests: History, Documentary.