Films & Schedules - P

Inside the magical world of a painting, figures divide themselves into three castes: the realistically rendered, highly polished Alldunns, who hold court in a castle; the Halfies, who for want of a brushstroke are denied the privileges of the Alldunns; and the Sketchies, rough and ragged outlines treated as untouchables by the others. A forbidden romance between the Halfie Claire and the Alldunn Ramo leads the two, along with Claire’s friend Lola, to run away—all the way to the edge of their painting, where they hop out of the frame and into the studio of the man who created them....

Inside the magical world of a painting, figures divide themselves into three castes: the realistically rendered, highly polished Alldunns, who hold court in a castle; the Halfies, who for want of a brushstroke are denied the privileges of the Alldunns; and the Sketchies, rough and ragged outlines treated as untouchables by the others. A forbidden romance between the Halfie Claire and the Alldunn Ramo leads the two, along with Claire’s friend Lola, to run away—all the way to the edge of their painting, where they hop out of the frame and into the studio of the man who created them. An inventive, animated fable about art and life, appearance and perception. “Enchanting! ... This consistently enjoyable, inventive, and beautifully crafted tale is a color riot suitable for all ages. ... A constant feast for the eyes.”—Variety (76 mins.)

Selected Filmography: Gwen, The Book of Sand (85), A Monkey’s Tale (99), Black Mor’s Island (04)

Sponsored by French American International School, TV5Monde, LAIKA, and Chipotle.

FILM REVIEW

Interests: Narrative Feature, Animation, Family Fare, French Language, Art.

Cyprus, 1974. When a young Turkish-Cypriot conscript soldier comes face-to-face with a Greek-Cypriot family in hiding, he confronts the brutal reality of war and his role in it. (17 mins.)

See SHORT CUTS III: INTERNATIONAL TIES to purchase tickets.

Cyprus, 1974. When a young Turkish-Cypriot conscript soldier comes face-to-face with a Greek-Cypriot family in hiding, he confronts the brutal reality of war and his role in it. (17 mins.)

See SHORT CUTS III: INTERNATIONAL TIES to purchase tickets.

Interests: Short Cuts.

The second installment of Seidl’s controversial and unflinching Paradise trilogy follows the fanatically devout Anna Maria, who in her desperate search for “paradise” spends her summer vacation away from her job by doing missionary work: in this case, going door-to-door with a large statue of the Virgin Mary hoping to win converts. At home, she prays with a startling fervor, tinged with a taste for masochism. After a long separation, her husband Nabil—a tradition-minded Egyptian Muslim confined to a wheelchair—returns, and his pushy demands for his wife’s attention put her faith to the test. (113 mins.)

The second installment of Seidl’s controversial and unflinching Paradise trilogy follows the fanatically devout Anna Maria, who in her desperate search for “paradise” spends her summer vacation away from her job by doing missionary work: in this case, going door-to-door with a large statue of the Virgin Mary hoping to win converts. At home, she prays with a startling fervor, tinged with a taste for masochism. After a long separation, her husband Nabil—a tradition-minded Egyptian Muslim confined to a wheelchair—returns, and his pushy demands for his wife’s attention put her faith to the test. (113 mins.)

Selected Filmography: Dog Days (01), Jesus, You Know (03), Import Export (07)

Winner of the Special Jury Prize at the Venice Film Festival.

In German and Arabic with English subtitles.

With the support of the Austrian Consulate General in Los Angeles.

FILM REVIEW

Interests: Narrative Feature, German Language.

The first installment in Seidl’s Paradise trilogy, Paradise: Love explores the collision of Christian virtues with worldly realities. Leaving her wearying job and troublesome teenage daughter in the care of her sister for a brief vacation, Teresa heads for a “full-service” beach resort in Kenya—a popular sex tourism destination for middle-aged women. The buff young men on the beach in front of the hotel are there to sell trinkets or themselves as need be, but for Teresa, the boundaries of sex, love, and oppression are not so clear. As Seidl explores the perspectives of a woman who, while in power,...

The first installment in Seidl’s Paradise trilogy, Paradise: Love explores the collision of Christian virtues with worldly realities. Leaving her wearying job and troublesome teenage daughter in the care of her sister for a brief vacation, Teresa heads for a “full-service” beach resort in Kenya—a popular sex tourism destination for middle-aged women. The buff young men on the beach in front of the hotel are there to sell trinkets or themselves as need be, but for Teresa, the boundaries of sex, love, and oppression are not so clear. As Seidl explores the perspectives of a woman who, while in power, is not at all sure of what she wants or even if it is for sale, his provocative mix of wincing candor, keen social observation, striking visual storytelling, and dark humor paints a portrait of paradise so near and yet so far. (120 mins.)

Selected Filmography: Dog Days (01), Jesus, You Know (03), Import Export (07)

In German, English, and Swahili with English subtitles.

With the support of the Austrian Consulate General in Los Angeles.

FILM REVIEW

Interests: Narrative Feature, German Language.

Following up on his provocative The Pervert’s Guide to Cinema, confrontational Slovenian philosopher and film theoretician Slavoj Žižek continues his riveting search for the hidden languages of cinema, exploring the idea of films as collective fantasies that shape our beliefs, practices, and society. Žižek’s high-concept take on what psychoanalysis reveals about ideology is a treat for cineastes seeking profound yet accessible analysis of the classics and is guaranteed to provide fresh perspective. Fiennes captures Žižek (amusingly inserted into scenes from the films he talks about) as he examines a wide range of works (also music, history, and current events) including...

Following up on his provocative The Pervert’s Guide to Cinema, confrontational Slovenian philosopher and film theoretician Slavoj Žižek continues his riveting search for the hidden languages of cinema, exploring the idea of films as collective fantasies that shape our beliefs, practices, and society. Žižek’s high-concept take on what psychoanalysis reveals about ideology is a treat for cineastes seeking profound yet accessible analysis of the classics and is guaranteed to provide fresh perspective. Fiennes captures Žižek (amusingly inserted into scenes from the films he talks about) as he examines a wide range of works (also music, history, and current events) including Robert Wise’s classic epic The Sound of Music, John Carpenter’s alien invasion B-movie They Live, Stanley Kubrick’s Full Metal Jacket, Martin Scorsese’s Taxi Driver, and dozens more. Little did you know! (134 mins.)

Selected Filmography: Hoover Street Revival (02), The Pervert’s Guide To Cinema (06), Over Your Cities Grass Will Grow (10)

FILM REVIEW

Interests: Documentary.

Giordana’s engrossing tale of terrorism, conspiracy, and deceit is based on a devastating true story set within decades of Italian political violence and resistance. A bomb goes off at a Milan bank in December 1969, killing 17 and wounding dozens of others. Detective Luigi Calabresi heads up the investigation of the crime, which many in the government want to pin on the anarchist left. Unconvinced, Calabresi wants to investigate the shadowy organizations on the neo-fascist right, including possible CIA connections. But after a key suspect meets an untimely death, the clock starts ticking for Calabresi as a malevolent, Machiavellian labyrinth...

Giordana’s engrossing tale of terrorism, conspiracy, and deceit is based on a devastating true story set within decades of Italian political violence and resistance. A bomb goes off at a Milan bank in December 1969, killing 17 and wounding dozens of others. Detective Luigi Calabresi heads up the investigation of the crime, which many in the government want to pin on the anarchist left. Unconvinced, Calabresi wants to investigate the shadowy organizations on the neo-fascist right, including possible CIA connections. But after a key suspect meets an untimely death, the clock starts ticking for Calabresi as a malevolent, Machiavellian labyrinth of deceit by extremists, police, informants, and spies envelopes the investigation. (129 mins.)

Selected Filmography: One Hundred Steps (00), The Best of Youth (03), Sanguepazzo (08)

Sponsored by the Italian Cultural Institute, San Francisco and the Italian Film Commission, Los Angeles.

FILM REVIEW

Interests: Narrative Feature, History.

Lee Kang-do works as a brutal, merciless loan shark who threatens and cripples those who can’t make their payments. One day, a woman appears on his doorstep claiming to be the mother who abandoned him as a baby. At first he rejects her but eventually quits his job to spend his days recapturing the time lost with her. When she is kidnapped, he must track down the culprit, revisiting all those whom he has hurt in the past, only to discover that his mother is harboring a dark secret of her own. Taking his inspiration from Michelangelo’s Pietà, Kim’s searing,...

Lee Kang-do works as a brutal, merciless loan shark who threatens and cripples those who can’t make their payments. One day, a woman appears on his doorstep claiming to be the mother who abandoned him as a baby. At first he rejects her but eventually quits his job to spend his days recapturing the time lost with her. When she is kidnapped, he must track down the culprit, revisiting all those whom he has hurt in the past, only to discover that his mother is harboring a dark secret of her own. Taking his inspiration from Michelangelo’s Pietà, Kim’s searing, violent meditation probes the depths of human suffering as it explores the themes of guilt and revenge with gripping beauty. (104 mins.)

Selected Filmography: The Isle (00), Address Unknown (01), Spring, Summer, Fall, Winter...and Spring (03), 3-Iron (04), Arirang (11)

This year’s South Korean submission for the Best Foreign Language Film Oscar and winner of the Best Film Prize at the Venice Film Festival.

Sponsored by the Oregon Korea Foundation.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature, Asian.

Michael Fassbender stars in this dark, suspenseful tale of a professional safe cracker who encounters a hitch while on the job. (13 mins.)

See SHORT CUTS IV: INTERNATIONAL TIES to purchase tickets.

Michael Fassbender stars in this dark, suspenseful tale of a professional safe cracker who encounters a hitch while on the job. (13 mins.)

See SHORT CUTS IV: INTERNATIONAL TIES to purchase tickets.

Interests: Short Cuts.

Çamburnu is a small village in northeastern Turkey where people have lived for generations off tea cultivation and fishing. But the idyllic landscape has been compromised by the decision 10 years ago to build a garbage landfill directly above the village. Despite protests by the mayor and the villagers, the site has continued to pollute the air and ground water, while rains flush the waste down the slopes, and flocks of birds and stray dogs besiege the village. In 2006, Akin went to Çamburnu, his grandparents’ home village, and over five years returned many times to chronicle the village’s struggle...

Çamburnu is a small village in northeastern Turkey where people have lived for generations off tea cultivation and fishing. But the idyllic landscape has been compromised by the decision 10 years ago to build a garbage landfill directly above the village. Despite protests by the mayor and the villagers, the site has continued to pollute the air and ground water, while rains flush the waste down the slopes, and flocks of birds and stray dogs besiege the village. In 2006, Akin went to Çamburnu, his grandparents’ home village, and over five years returned many times to chronicle the village’s struggle against the government and document the disasters that threaten this former paradise. Polluting Paradise provides a remarkable portrait of a small community fighting for its life and an inspirational story of activist courage. (85 mins.)

Selected Filmography: Head-On (04), Crossing the Bridge: The Sound of Istanbul (05), The Edge of Heaven (07), Soul Kitchen (09)

Sponsored by Chipotle.

FILM REVIEW

Interests: German Language, Documentary.

Reygadas’s enigmatic, visually ravishing film presents the occurrences around Juan and Natalia, a wealthy couple living in a stunning house in the lush countryside with their two little children and their pack of dogs. Mundane domestic events are punctuated by a series of disparate, occasionally fantastical subplots within a tableau of overwhelming beauty haunted by mysterious sinister forces. “In this expressionistic Mexican film, magnificent dreamlike exteriors together with memories and dream sequences tell the story of one man’s ability to resist temptation and stop himself from sinning. The story is at times told from the perspective of Satan, showing us...

Reygadas’s enigmatic, visually ravishing film presents the occurrences around Juan and Natalia, a wealthy couple living in a stunning house in the lush countryside with their two little children and their pack of dogs. Mundane domestic events are punctuated by a series of disparate, occasionally fantastical subplots within a tableau of overwhelming beauty haunted by mysterious sinister forces. “In this expressionistic Mexican film, magnificent dreamlike exteriors together with memories and dream sequences tell the story of one man’s ability to resist temptation and stop himself from sinning. The story is at times told from the perspective of Satan, showing us the world through the Devil’s ambivalent eyes. The use of a nonlinear storyline gives way for emotions, hopes, and dreams of a family looking for redemption and the meaning of life.”—Stockholm Film Festival (115 mins.)

Selected Filmography: Japón (02), Battle in Heaven (05), Silent Light (07)

Winner of the Best Director Prize at the Cannes Film Festival.

Sponsored by the Consulate of Mexico in Portland.

FILM REVIEW

Interests: Narrative Feature, Spanish Language.

After Tisha, a streetwise teenager from the Bronx, discovers she’s pregnant, she must face a difficult decision. With nowhere to turn, she confronts the grim realities of her situation alone. (15 mins.)

See SHORT CUTS II: INTERNATIONAL TIES to purchase tickets.

After Tisha, a streetwise teenager from the Bronx, discovers she’s pregnant, she must face a difficult decision. With nowhere to turn, she confronts the grim realities of her situation alone. (15 mins.)

See SHORT CUTS II: INTERNATIONAL TIES to purchase tickets.

Interests: Short Cuts.

Estonia, 1994. Soviet occupation has ended, but not the grip of Stalinist memories or the new hold of the Russian Mafia. Aliide, who has lived through a generation where a sentence to Siberian prison camps was all too regular, encounters Zara, a young girl who has exhaustedly escaped the clutches of sex slavery. Though from different eras, both women are haunted by their own tragic pasts and a dark history that binds them. Based on the award-winning novel of the same title by Sofi Oksanen, this unflinching family drama, a story of sex trafficking, violent abuse, betrayal, and loss, is...

Estonia, 1994. Soviet occupation has ended, but not the grip of Stalinist memories or the new hold of the Russian Mafia. Aliide, who has lived through a generation where a sentence to Siberian prison camps was all too regular, encounters Zara, a young girl who has exhaustedly escaped the clutches of sex slavery. Though from different eras, both women are haunted by their own tragic pasts and a dark history that binds them. Based on the award-winning novel of the same title by Sofi Oksanen, this unflinching family drama, a story of sex trafficking, violent abuse, betrayal, and loss, is this year’s Finnish submission for the Best Foreign Language Film Oscar. (125 mins.)

Selected Filmography: The Resident (11)

Sponsored by the Finlandia Foundation and the Scandinavian Heritage Foundation.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature.