Films & Schedules - H

Von Trotta’s film is an intelligent and powerful dramatization of the life of the philosopher and writer Hannah Arendt, whose The Origins of Totalitarianism (1951) made her famous in philosophical circles before her controversial chronicle in The New Yorker of Nazi Adolf Eichmann’s 1961 trial for war crimes shot her to broader international celebrity. Focusing on the Eichmann era, Barbara Sukowa perfectly embodies the academic Arendt, who observes that it is the ordinariness of Eichmann (“He looks like a nobody”) that leads her to fashion her most startling concept—the “banality of evil”—while her reporting on collaborating German Jews causes a...

Von Trotta’s film is an intelligent and powerful dramatization of the life of the philosopher and writer Hannah Arendt, whose The Origins of Totalitarianism (1951) made her famous in philosophical circles before her controversial chronicle in The New Yorker of Nazi Adolf Eichmann’s 1961 trial for war crimes shot her to broader international celebrity. Focusing on the Eichmann era, Barbara Sukowa perfectly embodies the academic Arendt, who observes that it is the ordinariness of Eichmann (“He looks like a nobody”) that leads her to fashion her most startling concept—the “banality of evil”—while her reporting on collaborating German Jews causes a firestorm of protest. “What could have been a dry, intellectually ponderous film is given flesh and blood, resulting in a drama that is both stirring and emotionally rewarding.”—London Film Festival (113 mins.)

Selected Filmography: The Second Awakening of Christa Klages (78), Sister, or The Balance of Happiness (79), Rosa Luxemburg (86), The Promise (95), Rosenstrasse (03)

Sponsored by Zeitgeist Northwest.

FILM REVIEW

Interests: Narrative Feature, German Language, History, Literature.

“Paradise on earth? Through writer and narrator Werner Herzog’s lens, that is what Bakhtia, a village on the river Yenisei in Russia’s far north might seem like in this breathtaking, rich, and frequently funny documentary. He and first-time director Vasyukov capture the local people—nearly always in companionship with their dogs—making their own tools, trapping sable, felling trees to build boats, fishing, harvesting food, and holding ceremonies for the turning of the seasons. Sharing their perspectives on greed, war, and mortality, as Herzog notes: They live off the land and are self-reliant, truly free. … No rules, no taxes, no government,...

“Paradise on earth? Through writer and narrator Werner Herzog’s lens, that is what Bakhtia, a village on the river Yenisei in Russia’s far north might seem like in this breathtaking, rich, and frequently funny documentary. He and first-time director Vasyukov capture the local people—nearly always in companionship with their dogs—making their own tools, trapping sable, felling trees to build boats, fishing, harvesting food, and holding ceremonies for the turning of the seasons. Sharing their perspectives on greed, war, and mortality, as Herzog notes: They live off the land and are self-reliant, truly free. … No rules, no taxes, no government, no laws, no bureaucracy, no phones, no radio, equipped only with their individual values and standard of conduct.”—Telluride Film Festival (90 mins.)

Selected Documentary Filmography: Land of Silence and Darkness (71), La Soufrière (77), Lessons of Darkness (92), Grizzly Man (05), Cave of Forgotten Dreams (10)

Sponsored by Zeitgeist Northwest.

FILM REVIEW

Interests: German Language, Documentary.

A newborn’s destiny hangs in the balance as grownups come to terms with what they cannot have. (19 mins.)

See SHORT CUTS IV: INTERNATIONAL TIES to purchase tickets.

A newborn’s destiny hangs in the balance as grownups come to terms with what they cannot have. (19 mins.)

See SHORT CUTS IV: INTERNATIONAL TIES to purchase tickets.

Interests: Short Cuts.

After many years of marriage, Walter and Madge have grown apart: he lives on the floor and she lives on the ceiling. (10 mins.)

See SHORT CUTS III: INTERNATIONAL TIES to purchase tickets.

After many years of marriage, Walter and Madge have grown apart: he lives on the floor and she lives on the ceiling. (10 mins.)

See SHORT CUTS III: INTERNATIONAL TIES to purchase tickets.

Interests: Short Cuts.

Winner of the Grand Prize at the Critics’ Week at the Cannes Film Festival and a New York Film Festival selection, Esparza’s lyrical film captures the reality of the life of a migrant worker who struggles on both sides of the border. Pedro returns home to a small mountain village in Guerrero after years of working in the US. His daughters feel more distant than he imagined, and his wife Teresa is delighted that he’s back but troubled by their circumstances. With the money he has earned, he can create a better life for his family and maybe even start...

Winner of the Grand Prize at the Critics’ Week at the Cannes Film Festival and a New York Film Festival selection, Esparza’s lyrical film captures the reality of the life of a migrant worker who struggles on both sides of the border. Pedro returns home to a small mountain village in Guerrero after years of working in the US. His daughters feel more distant than he imagined, and his wife Teresa is delighted that he’s back but troubled by their circumstances. With the money he has earned, he can create a better life for his family and maybe even start the band with his cousins he has dreamed about for years. But work back home remains scarce and the temptation of heading back north of the border remains as strong as ever. (110 mins.)

First Feature.

Sponsored by the Consulate of Mexico in Portland.

FILM REVIEW

Interests: New Directors, Narrative Feature, Spanish Language.

A gripping suspense drama focusing on negotiation tactics and complex human psychology, A Hijacking chronicles the nightmare endured by the small crew of a Danish cargo ship when Somali pirates suddenly take them hostage in the Indian Ocean. Back in the shipping company’s office in Copenhagen, the demand for a $15 million ransom sets in motion tense negotiations, which, against the advice of professional hostage negotiators, the macho (and frugal) president decides he will handle himself. Plunging the company, the crew and their families, and the pirates into an extended battle of wills, we watch as the fear and tension...

A gripping suspense drama focusing on negotiation tactics and complex human psychology, A Hijacking chronicles the nightmare endured by the small crew of a Danish cargo ship when Somali pirates suddenly take them hostage in the Indian Ocean. Back in the shipping company’s office in Copenhagen, the demand for a $15 million ransom sets in motion tense negotiations, which, against the advice of professional hostage negotiators, the macho (and frugal) president decides he will handle himself. Plunging the company, the crew and their families, and the pirates into an extended battle of wills, we watch as the fear and tension aboard the ship is on course for disaster. At once a procedural thriller, an almost documentary-like look at modern, high-tech piracy, and a telling reminder of economic disparity, Lindholm’s (also the screenwriter of The Hunt) gripping saga rings true. (110 mins.)

Selected Filmography: R (10)

FILM REVIEW

Interests: Narrative Feature.

Vinterberg’s devastating drama follows an upstanding member of a small, close-knit Danish community charged with an unthinkable crime. Lucas (Mads Mikkelsen) is a kindergarten aide beloved by students and parents alike, until a girl in his class accuses him of inappropriately touching her. No sooner is the charge leveled than Lucas is deemed guilty in the public eye and then ostracized—indeed, hunted—by his former friends and neighbors. Knowing that Lucas is indeed innocent adds a chilling layer of horror to an already breathless tale. A provocative, all-too-believable study in mob mentality and the unfailing belief of adults in the innocence...

Vinterberg’s devastating drama follows an upstanding member of a small, close-knit Danish community charged with an unthinkable crime. Lucas (Mads Mikkelsen) is a kindergarten aide beloved by students and parents alike, until a girl in his class accuses him of inappropriately touching her. No sooner is the charge leveled than Lucas is deemed guilty in the public eye and then ostracized—indeed, hunted—by his former friends and neighbors. Knowing that Lucas is indeed innocent adds a chilling layer of horror to an already breathless tale. A provocative, all-too-believable study in mob mentality and the unfailing belief of adults in the innocence of children, The Hunt is a gripping psychological drama with a stellar performance by Mikkelsen, who won the Best Actor Prize at this year’s Cannes Film Festival. (115 mins.)

Filmography: The Celebration (98), It’s All About Love (03), Dear Wendy (04), Submarino (10)

Winner of the Audience Award at the Vancouver International Film Festival.

Sponsored by the ScanDesign Foundation and the Scandinavian Heritage Foundation.

FILM REVIEW

Interests: Narrative Feature.