Films & Schedules - Asian

In this timeless, enchanting fable, rising Bollywood star Ranbir Kapoor gives a winning performance as a deaf-mute man whose life is a series of comic and tragic misadventures. Dedicated to Charlie Chaplin and Buster Keaton, the nearly wordless Barfi! follows the resourceful title character as he falls in and out of love with the beautiful Shruti, whose parents pressure her into a respectable arranged marriage. Later, he finds love again with the autistic Jhilmil—whose father plots to defraud her of a sizable trust fund—only for Shruti to unexpectedly reenter his life. In between, Barfi finds himself caught up in a...

In this timeless, enchanting fable, rising Bollywood star Ranbir Kapoor gives a winning performance as a deaf-mute man whose life is a series of comic and tragic misadventures. Dedicated to Charlie Chaplin and Buster Keaton, the nearly wordless Barfi! follows the resourceful title character as he falls in and out of love with the beautiful Shruti, whose parents pressure her into a respectable arranged marriage. Later, he finds love again with the autistic Jhilmil—whose father plots to defraud her of a sizable trust fund—only for Shruti to unexpectedly reenter his life. In between, Barfi finds himself caught up in a bank robbery, two botched kidnappings, and all other manner of slapstick mayhem. This broadly entertaining treat for film lovers of all ages is this year’s Indian submission for the Best Foreign Language Film Oscar. (151 mins.)

Selected Filmography: Saaya (03), Gangster (06), Life in a Metro (07), Kites (10)

Sponsored by Vindalho.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature, Family Fare, Asian, Comedy.

“A winning, life-affirming fable about a young coal miner’s pursuit of her dream to become an acrobat, this is the first Western-financed fiction feature made entirely in North Korea. But this charming film wears its heavy historical mantle with grace, weaving a lovely, light-hearted tale whose themes—overcoming adversity and realizing the dream of a lifetime—upend our assumptions of a largely cloistered culture. Kim Yong-mi works as a coal miner in a small village. She dreams of one day joining the national circus and performing on the trapeze—despite the fact that she is deathly afraid of heights. When she is promoted...

“A winning, life-affirming fable about a young coal miner’s pursuit of her dream to become an acrobat, this is the first Western-financed fiction feature made entirely in North Korea. But this charming film wears its heavy historical mantle with grace, weaving a lovely, light-hearted tale whose themes—overcoming adversity and realizing the dream of a lifetime—upend our assumptions of a largely cloistered culture. Kim Yong-mi works as a coal miner in a small village. She dreams of one day joining the national circus and performing on the trapeze—despite the fact that she is deathly afraid of heights. When she is promoted and sent to the capital, Pyongyang, she seizes the opportunity. This gorgeously filmed romantic comedy transports us to a fantastic world seemingly out of time, with astonishing, candy-colored images of the seldom-seen North Korea.”—Toronto International Film Festival (83 mins.)

Selected Filmography: Kim Gwang Hun—My Wish (01), Unforgettable Man (02), Watch Us (08), Great Bear (09)

FILM REVIEW

Interests: Narrative Feature, Asian.

Shashi (Sridevi) is a beautiful, dedicated Pune homemaker, devoted wife, and mother. Yet because of her poor English, she is made to feel insecure by her husband and teenage daughter and by society at large. When she is called to New York to help prepare her niece’s wedding, Shashi overcomes her fears of traveling alone but is nevertheless overwhelmed. Humiliated for not being able to order a cup of coffee properly, she secretly enrolls in an accelerated English class and quickly becomes a dedicated student. With the other multi-ethnic students acting as a support system and boosted by the admiration...

Shashi (Sridevi) is a beautiful, dedicated Pune homemaker, devoted wife, and mother. Yet because of her poor English, she is made to feel insecure by her husband and teenage daughter and by society at large. When she is called to New York to help prepare her niece’s wedding, Shashi overcomes her fears of traveling alone but is nevertheless overwhelmed. Humiliated for not being able to order a cup of coffee properly, she secretly enrolls in an accelerated English class and quickly becomes a dedicated student. With the other multi-ethnic students acting as a support system and boosted by the admiration of French classmate Laurent in particular, she rediscovers her own worth. “Breezy and charming but with much to say about the delicate balance between tradition and modernity, English Vinglish marks the return to the big screen—after a 15-year hiatus—of beloved Indian mega-star Sridevi.”—Toronto International Film Festival (133 mins.)

First Feature.

Sponsored by Delta Airlines.

FILM REVIEW

Interests: New Directors, Narrative Feature, Family Fare, Asian, Comedy.

“Kenji Uchida’s brilliantly entertaining comedy-drama is essentially a riff on Trading Places, but it takes the notion that we all play roles every day much further than John Landis ever dreamed. A failed actor, unlucky in love, steals the identity of an accident victim and finds himself prey to the attentions of the mob—he discovers that he’s now a famously ruthless fixer for the underworld. Meanwhile the actual fixer wakes in the hospital with amnesia and has to learn to live anew as a failed actor. Perhaps fortunately, a needy woman executive (having set herself a two-month deadline to get...

“Kenji Uchida’s brilliantly entertaining comedy-drama is essentially a riff on Trading Places, but it takes the notion that we all play roles every day much further than John Landis ever dreamed. A failed actor, unlucky in love, steals the identity of an accident victim and finds himself prey to the attentions of the mob—he discovers that he’s now a famously ruthless fixer for the underworld. Meanwhile the actual fixer wakes in the hospital with amnesia and has to learn to live anew as a failed actor. Perhaps fortunately, a needy woman executive (having set herself a two-month deadline to get married) is on hand to help him and/or get in his way. Much of this is deliciously funny, not to mention brilliantly timed and acted with relish by the all-star cast.”—London Film Festival (128 mins.)

Filmography: A Stranger of Mine (05), After School (08)

Sponsored by the Consular Office of Japan in Portland.

FILM REVIEW

Interests: Narrative Feature, Asian, Comedy.

From anime master Hiroyuki Okiura comes this touching, fantastical tale of a young girl’s grief and the three mischievous spirits sent to look after her. After the death of her father, 13-year-old Momo and her mother move from Tokyo to the remote island of Shio. Here, Momo is haunted by the discovery of an unfinished letter her father was writing to her—and plagued by the presence of three heaven-sent goblins whose bumbling efforts to protect her tend to cause more chaos than good. “As gorgeous as Momo is to behold, the film’s sensitive portrayal of a teenager dealing with grief...

From anime master Hiroyuki Okiura comes this touching, fantastical tale of a young girl’s grief and the three mischievous spirits sent to look after her. After the death of her father, 13-year-old Momo and her mother move from Tokyo to the remote island of Shio. Here, Momo is haunted by the discovery of an unfinished letter her father was writing to her—and plagued by the presence of three heaven-sent goblins whose bumbling efforts to protect her tend to cause more chaos than good. “As gorgeous as Momo is to behold, the film’s sensitive portrayal of a teenager dealing with grief proves its most compelling element. ... With its complex characterizations and multiple storylines, [Momo] rivals mature live-action drama.”—Variety (120 mins.)

Selected Filmography: key animator on Roujin Z (91), Ghost in the Shell (95), Jin-Roh, The Wolf Brigade (99), Paprika (06)

Winner of the Grand Prize at the New York International Children’s Film Festival.

Sponsored by the Consular Office of Japan in Portland and Chipotle.

FILM REVIEW

Interests: Narrative Feature, Animation, Family Fare, Asian.

During King Gwang-hae’s reign in 17th century Korea, conspiracies abound. Driven by paranoia, Gwang-hae (Lee Byung-hun) orders his councilor to find him a body double. Soon after finding the perfect lookalike in the form of Ha-sun, a simple jester and mimic, the king is poisoned and Ha-sun is forced to take the stage. The ensuing events form the dramatic, and often comedic, heart of Masquerade, a riff on the classic Prince and the Pauper story. Instead of Gwang-hae’s rigid policies and demeanor, the new king has charisma and rules on far more personal and humanitarian grounds, thus risking discovery—not to...

During King Gwang-hae’s reign in 17th century Korea, conspiracies abound. Driven by paranoia, Gwang-hae (Lee Byung-hun) orders his councilor to find him a body double. Soon after finding the perfect lookalike in the form of Ha-sun, a simple jester and mimic, the king is poisoned and Ha-sun is forced to take the stage. The ensuing events form the dramatic, and often comedic, heart of Masquerade, a riff on the classic Prince and the Pauper story. Instead of Gwang-hae’s rigid policies and demeanor, the new king has charisma and rules on far more personal and humanitarian grounds, thus risking discovery—not to mention social and military upheaval. It’s clear that goodness does not automatically serve the country’s stability. Though spiced with humor, Masquerade provides a thoughtful meditation on the compromises faced by those who, willingly or not, take the fate of a nation into their hands. (131 mins.)

Selected Filmography: Mapado: Island of Fortunes (05), Late Blossom (11)

Sponsored by the Oregon Korea Foundation.

FILM REVIEW

Interests: Narrative Feature, Asian, Comedy.

Song Fang’s remarkable directorial debut, in which she travels from Beijing to Nanjing for a visit with her family (many of whom play themselves), gracefully expounds on several poignant topics: how an adult child’s relationship with her parents changes as they grow older and how to negotiate one’s place as a single woman in a world of married couples. Song, who many will remember for her wonderful performance as Juliette Binoche’s nanny and aspiring filmmaker in Hou Hsiao-Hsien’s Flight of the Red Balloon (PIFF 2008), perfectly captures the rhythms of brief sojourns home, trips filled with reunions (both joyful and...

Song Fang’s remarkable directorial debut, in which she travels from Beijing to Nanjing for a visit with her family (many of whom play themselves), gracefully expounds on several poignant topics: how an adult child’s relationship with her parents changes as they grow older and how to negotiate one’s place as a single woman in a world of married couples. Song, who many will remember for her wonderful performance as Juliette Binoche’s nanny and aspiring filmmaker in Hou Hsiao-Hsien’s Flight of the Red Balloon (PIFF 2008), perfectly captures the rhythms of brief sojourns home, trips filled with reunions (both joyful and heart-wrenching), reminiscences, and moments of feeling painfully out of place. (91 mins.)

First Feature.

Winner of the Best First Feature Prize at this year’s Locarno Film Festival.

FILM REVIEW

Interests: New Directors, Asian.

Filled with breathtaking shots of the Himalayan countryside, Tibetan filmmaker Tseden offers an emotional allegory about urbanization and generational conflict. On a visit to a frontier town, middle-aged Gonpo decides to sell his faithful Tibetan mastiff to a Chinese trader who specializes in procuring dogs for wealthy landowners as status symbols. Gonpo’s father, Akhu, disturbed by his son’s lack of regard for their dog, purchases the animal back, initiating the simple storyline revolving around the dog’s destiny and the ensuing familial dynamics. Rich with commentary on the evolving conflict within Tibetan culture and a way of life that is quickly...

Filled with breathtaking shots of the Himalayan countryside, Tibetan filmmaker Tseden offers an emotional allegory about urbanization and generational conflict. On a visit to a frontier town, middle-aged Gonpo decides to sell his faithful Tibetan mastiff to a Chinese trader who specializes in procuring dogs for wealthy landowners as status symbols. Gonpo’s father, Akhu, disturbed by his son’s lack of regard for their dog, purchases the animal back, initiating the simple storyline revolving around the dog’s destiny and the ensuing familial dynamics. Rich with commentary on the evolving conflict within Tibetan culture and a way of life that is quickly giving way to outside forces, Old Dog poetically surfaces the conflicted views of a culture’s future. (88 mins.)

Filmography: The Silent Holy Stones (05), The Search (09)

Sponsored by Chipotle.

FILM REVIEW

Interests: Narrative Feature, Family Fare, Asian.

This year’s Japanese submission for the Best Foreign Language Film Oscar tells the moving story of a family divided by the historic political conflicts between Korea and Japan. During Japan’s colonial rule of Korea before World War II, thousands of Koreans were brought to Japan where they suffered painful discrimination. After the war, thousands chose to be repatriated to North Korea in hope of a better life. Few managed to escape their fateful choice. Japanese-Korean director Yong-hi Yang, born in Japan but from a North Korean family, tells the story of her brother Son-ho, who after living in North Korea...

This year’s Japanese submission for the Best Foreign Language Film Oscar tells the moving story of a family divided by the historic political conflicts between Korea and Japan. During Japan’s colonial rule of Korea before World War II, thousands of Koreans were brought to Japan where they suffered painful discrimination. After the war, thousands chose to be repatriated to North Korea in hope of a better life. Few managed to escape their fateful choice. Japanese-Korean director Yong-hi Yang, born in Japan but from a North Korean family, tells the story of her brother Son-ho, who after living in North Korea for 25 years after leaving Japan at age 16, is given rare permission to visit his Japanese family and receive specialized medical care. Under the tense surveillance of a North Korean agent, Son-ho must come to grips with whether he has a place in either culture. (100 mins.)

Filmography: Dear Pyongyang (05), Sona, the Other Myself (09)

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature, Asian, History.

Lee Kang-do works as a brutal, merciless loan shark who threatens and cripples those who can’t make their payments. One day, a woman appears on his doorstep claiming to be the mother who abandoned him as a baby. At first he rejects her but eventually quits his job to spend his days recapturing the time lost with her. When she is kidnapped, he must track down the culprit, revisiting all those whom he has hurt in the past, only to discover that his mother is harboring a dark secret of her own. Taking his inspiration from Michelangelo’s Pietà, Kim’s searing,...

Lee Kang-do works as a brutal, merciless loan shark who threatens and cripples those who can’t make their payments. One day, a woman appears on his doorstep claiming to be the mother who abandoned him as a baby. At first he rejects her but eventually quits his job to spend his days recapturing the time lost with her. When she is kidnapped, he must track down the culprit, revisiting all those whom he has hurt in the past, only to discover that his mother is harboring a dark secret of her own. Taking his inspiration from Michelangelo’s Pietà, Kim’s searing, violent meditation probes the depths of human suffering as it explores the themes of guilt and revenge with gripping beauty. (104 mins.)

Selected Filmography: The Isle (00), Address Unknown (01), Spring, Summer, Fall, Winter...and Spring (03), 3-Iron (04), Arirang (11)

This year’s South Korean submission for the Best Foreign Language Film Oscar and winner of the Best Film Prize at the Venice Film Festival.

Sponsored by the Oregon Korea Foundation.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature, Asian.

With perfectly judged performances from Andy Lau and Deanie Ip (winner of the Best Actress Award at the Venice Film Festival), Ann Hui’s moving film looks at the decades-long relationship between a man and his devoted family servant. Ip plays Ah Tao, who has worked for the Leung family for 60 years. For the past decade, the only member of the family left in Hong Kong is Roger (Lau), who works in the film industry. Having cared for Roger from childhood, Ah Tao suffers a stroke and asks to be admitted to a nursing home. There, she becomes part of...

With perfectly judged performances from Andy Lau and Deanie Ip (winner of the Best Actress Award at the Venice Film Festival), Ann Hui’s moving film looks at the decades-long relationship between a man and his devoted family servant. Ip plays Ah Tao, who has worked for the Leung family for 60 years. For the past decade, the only member of the family left in Hong Kong is Roger (Lau), who works in the film industry. Having cared for Roger from childhood, Ah Tao suffers a stroke and asks to be admitted to a nursing home. There, she becomes part of a new family made up of colorful characters. All the while, as roles are reversed, Roger tenderly cares for her as she enters the final phase of her life. Based on a true story, A Simple Life delicately traces a decades-long bond with pathos and humor. (118 mins.)

Selected Filmography: Boat People (82), Song of the Exile (90), Ordinary Heroes (99), All About Love (10)

This year’s Hong Kong submission for the Best Foreign Language Film Oscar.

Sponsored by Perkins Coie.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature, Asian.

Based on the children’s book by Taiwanese illustrator Jimmy Liao, the gentle Starry Starry Night follows the intersecting lives of inward 13-year-old Mei, who’s coping with the death of her grandfather and her parents’ crumbling marriage, and shy Jay, who endures a rootless existence caused by his abusive father. When Mei falls in love with Jay, a recent transfer student at her school, she finds solace from her troubles and begins a journey to find the missing parts of her troubled life. Venturing into the starry night, Mei and Jay set off on a romantic, perilous trip into the mountainous...

Based on the children’s book by Taiwanese illustrator Jimmy Liao, the gentle Starry Starry Night follows the intersecting lives of inward 13-year-old Mei, who’s coping with the death of her grandfather and her parents’ crumbling marriage, and shy Jay, who endures a rootless existence caused by his abusive father. When Mei falls in love with Jay, a recent transfer student at her school, she finds solace from her troubles and begins a journey to find the missing parts of her troubled life. Venturing into the starry night, Mei and Jay set off on a romantic, perilous trip into the mountainous wilderness to find her grandparents’ cottage, a place of comforting memories, and destinations further. “A charming bit of whimsy that speaks to anyone who experienced a sense of emotional injustice during their formative years.”—Slant (99 mins.)

Selected Filmography: Winds of September (08)

Sponsored by Steven Smith Teamaker.

FILM REVIEW

Interests: Narrative Feature, Asian, Literature.

“A neighborhood’s lives and loves intertwine in this almost novelistic film, seen mostly through the eyes of 17-year-old Xiao Yang. Together’s various storylines cycle through several families who live on the same street in contemporary Taipei. Xiao Yang is a patient observer but not a neutral one: most of the love letters that charmingly still circulate in this working-class Taipei community pass through his hands, and he’s the catalyst of several of the story’s love affairs. The community includes a costume vendor, a Japanese-Taiwanese newlywed couple, and Xiao Yang’s sometimes violent, sometimes romantically inclined classmates. Everyone seems to be in...

“A neighborhood’s lives and loves intertwine in this almost novelistic film, seen mostly through the eyes of 17-year-old Xiao Yang. Together’s various storylines cycle through several families who live on the same street in contemporary Taipei. Xiao Yang is a patient observer but not a neutral one: most of the love letters that charmingly still circulate in this working-class Taipei community pass through his hands, and he’s the catalyst of several of the story’s love affairs. The community includes a costume vendor, a Japanese-Taiwanese newlywed couple, and Xiao Yang’s sometimes violent, sometimes romantically inclined classmates. Everyone seems to be in the process of breaking up or finding a new lover. We are gently induced to interpret, to be active participants in framing the story. The result is a fully achieved first film of tangible power and abundant humanity.”—Vancouver International Film Festival (114 mins.)

First Feature.

FILM REVIEW

Interests: New Directors, Narrative Feature, Asian.