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Films & Schedules - ARGENTINA

CHINESE TAKE-OUT

Sun, Feb 10, 2013
at 2:30 PM (World Trade Center Theater)
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Sat, Feb 16, 2013
at 3 PM (World Trade Center Theater)
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Sun, Feb 24, 2013
at 10 AM (Whitsell Auditorium)
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CHINESE TAKE-OUT

DIRECTOR: Sebastián Borensztein - ARGENTINA

Staunch loner Roberto, owner of a small hardware store in Buenos Aires, is shaken out of his solitary daily routine of collecting absurd newspaper clippings and visiting his parents’ grave when Chinese immigrant Jun literally falls into his life out of the back of a cab. Through a series of events that go against Roberto’s better judgment, the out-of-work Jun moves in with him, which proves a nightmare for Roberto as he makes increasingly desperate (and also touching and hilarious) attempts to get rid of his new roommate. Borensztein’s warm, endearing film offers a heartfelt reminder that friendship can crop...

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CLANDESTINE CHILDHOOD

Sun, Feb 10, 2013
at 7:30 PM (Cinemagic)
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Mon, Feb 11, 2013
at 9:15 PM (Regal Lloyd Center 4)
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Thu, Feb 14, 2013
at 6:30 PM (Regal Lloyd Center 10)
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CLANDESTINE CHILDHOOD

DIRECTOR: Benjamín Ávila - ARGENTINA

Ávila’s partly autobiographical account of his upbringing is a moving portrait of adolescent life in politically tumultuous 1970s Argentina. After years of exile, 12-year-old Juan and his family cautiously return to Buenos Aires with fake identities. Juan’s parents are members of the Montoneros organization, fighting against the ruling military junta. His friends at school know him as Ernesto, and as he tries to make friends and lead a normal life, he knows his life depends on him not forgetting who he really is. Ávila’s powerful portrait of childhood innocence at odds with life-or-death political ideals won the Casa de America...

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WHITE ELEPHANT

Thu, Feb 21, 2013
at 8:45 PM (Cinemagic)
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Sat, Feb 23, 2013
at 6 PM (Cinema 21)
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WHITE ELEPHANT

DIRECTOR: Pablo Trapero - ARGENTINA

In the dangerous, poverty-stricken slums of Buenos Aires, two Catholic priests tirelessly fighting for the dispossessed take very different paths in their struggle against violence, corruption, and injustice. The older Julian uses his political connections to see to the construction of a critical hospital, while the younger Nicholas, troubled by his lack of faith in the Church’s ability to help the poor, questions his calling. Between them is Luciana, an atheistic social worker who works with one as she becomes romantically involved with the other. Enduring constant struggle, torn apart by the conflicting interests of rival drug cartels, venal politics,...

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