Films & Schedules - Friday, February 8, 2013

“The ghosts of F.W. Murnau, Luis Buñuel, Joseph Cornell, and Jack Smith hover above this exquisite, absurdist entry in the canon of surrealist cinema. Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in colonial Mozambique in the early 1960s. Phil Spector’s ‘Be My Baby’ belted...

“The ghosts of F.W. Murnau, Luis Buñuel, Joseph Cornell, and Jack Smith hover above this exquisite, absurdist entry in the canon of surrealist cinema. Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in colonial Mozambique in the early 1960s. Phil Spector’s ‘Be My Baby’ belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic.”—New York Film Festival (118 mins.)

Selected Filmography: The Face You Deserve (04), Our Beloved Month of August (08)

Winner of the FIPRESCI (International Film Critics) Award at the Berlin Film Festival.

Sponsored by Nel Centro.

FILM REVIEW

Interests: Narrative Feature.

One of the great social movements of the 20th century, environmentalism continues as an urgent force in the 21st. Kitchell’s passionate film charts the advent of the modern environmental movement, from the early conservation causes of John Muir to the formation of landmark organizations like the Sierra Club and Greenpeace, to the creation of events like Earth Day and the continuing evolution of public conversation about the growing threats of pollution, climate change, overharvesting, and their effects on both our ecology and society. An essential primer for anyone interested in a broad overview of a remarkable era of global activism...

One of the great social movements of the 20th century, environmentalism continues as an urgent force in the 21st. Kitchell’s passionate film charts the advent of the modern environmental movement, from the early conservation causes of John Muir to the formation of landmark organizations like the Sierra Club and Greenpeace, to the creation of events like Earth Day and the continuing evolution of public conversation about the growing threats of pollution, climate change, overharvesting, and their effects on both our ecology and society. An essential primer for anyone interested in a broad overview of a remarkable era of global activism or anyone who might agree with one advocate’s observation: “There’s no Hispanic air. There’s no African-American air. There’s air! And if you breathe air—and most people I know do breathe air—then I would consider you an environmentalist.” (114 mins.)

Selected Filmography: Berkeley in the Sixties (90)

Sponsored by Chipotle.

FILM REVIEW

Interests: Documentary.

The first installment in Seidl’s Paradise trilogy, Paradise: Love explores the collision of Christian virtues with worldly realities. Leaving her wearying job and troublesome teenage daughter in the care of her sister for a brief vacation, Teresa heads for a “full-service” beach resort in Kenya—a popular sex tourism destination for middle-aged women. The buff young men on the beach in front of the hotel are there to sell trinkets or themselves as need be, but for Teresa, the boundaries of sex, love, and oppression are not so clear. As Seidl explores the perspectives of a woman who, while in power,...

The first installment in Seidl’s Paradise trilogy, Paradise: Love explores the collision of Christian virtues with worldly realities. Leaving her wearying job and troublesome teenage daughter in the care of her sister for a brief vacation, Teresa heads for a “full-service” beach resort in Kenya—a popular sex tourism destination for middle-aged women. The buff young men on the beach in front of the hotel are there to sell trinkets or themselves as need be, but for Teresa, the boundaries of sex, love, and oppression are not so clear. As Seidl explores the perspectives of a woman who, while in power, is not at all sure of what she wants or even if it is for sale, his provocative mix of wincing candor, keen social observation, striking visual storytelling, and dark humor paints a portrait of paradise so near and yet so far. (120 mins.)

Selected Filmography: Dog Days (01), Jesus, You Know (03), Import Export (07)

In German, English, and Swahili with English subtitles.

With the support of the Austrian Consulate General in Los Angeles.

FILM REVIEW

Interests: Narrative Feature, German Language.

In 1968, in a remote Australian town where white racism rules, an Aboriginal country-western singing group struggles to make it in the music business. Their fortunes change when they meet garrulous Irish pianist/drinker Dave (Chris O’Dowd, Bridesmaids), who recognizes their talent and adds soul music to their repertoire. Soon, the precocious singer Julie (Australian music star Jessica Mauboy), boy-crazy Cynthia, tough and tart-tongued leader Gail, and cousin Kay who wishes she were white, score an unexpected gig: entertaining American troops in Vietnam. A rousing, heartfelt tale based on screenwriter Tony Briggs’s true-life family, the mix of charming romance, fine performances,...

In 1968, in a remote Australian town where white racism rules, an Aboriginal country-western singing group struggles to make it in the music business. Their fortunes change when they meet garrulous Irish pianist/drinker Dave (Chris O’Dowd, Bridesmaids), who recognizes their talent and adds soul music to their repertoire. Soon, the precocious singer Julie (Australian music star Jessica Mauboy), boy-crazy Cynthia, tough and tart-tongued leader Gail, and cousin Kay who wishes she were white, score an unexpected gig: entertaining American troops in Vietnam. A rousing, heartfelt tale based on screenwriter Tony Briggs’s true-life family, the mix of charming romance, fine performances, and Motown classics sprinkled with Aboriginal folk songs adds up to a sparkling musical adventure set against the chaos of war and the civil rights politics of the era. (99 mins.)

First Feature.

Sponsored by French American International School and KINK.fm.

FILM REVIEW

Interests: New Directors, Narrative Feature, Music.

Adapted from Paco Roca’s comic book, winner of the Spanish National Comic Prize, this beautifully crafted animated feature focuses on the friendship of Emilio and Miguel, two senior citizens living in a care facility. Suffering from the early stages of Alzheimer’s, Emilio is apprehensive about moving into a nursing home. Helping him make the transition is his roommate Miguel, a rascally Argentinean. Both sensitively told and refreshingly acerbic, Wrinkles smoothes its challenging subject into an inspiring story full of charm, wit, and universal appeal. (89 mins.)

Adapted from Paco Roca’s comic book, winner of the Spanish National Comic Prize, this beautifully crafted animated feature focuses on the friendship of Emilio and Miguel, two senior citizens living in a care facility. Suffering from the early stages of Alzheimer’s, Emilio is apprehensive about moving into a nursing home. Helping him make the transition is his roommate Miguel, a rascally Argentinean. Both sensitively told and refreshingly acerbic, Wrinkles smoothes its challenging subject into an inspiring story full of charm, wit, and universal appeal. (89 mins.)

Selected Filmography: Tokyo Onlypic 2008 (08)

Winner of the Best Animated Film and Best Adapted Screenplay Awards at the 2012 Goya Awards.

Sponsored by LAIKA.

FILM REVIEW

Interests: Narrative Feature, Animation, Spanish Language.

War Witch unfolds as a harrowing fairy-tale told by a 14-year-old African child soldier to her unborn son. Taken from her village, Komona is given a hallucinogenic milk that gifts her with a sorceress’s ability to see the ghosts of the fallen. Fighting alongside an albino boy named Magician, she soon comes to understand that her career as “witch” to the rebel leader will only last as long as their victories. The two set off together, putting their violent past behind them as they bond while searching for the white rooster she has demanded as proof of his love. Nguyen...

War Witch unfolds as a harrowing fairy-tale told by a 14-year-old African child soldier to her unborn son. Taken from her village, Komona is given a hallucinogenic milk that gifts her with a sorceress’s ability to see the ghosts of the fallen. Fighting alongside an albino boy named Magician, she soon comes to understand that her career as “witch” to the rebel leader will only last as long as their victories. The two set off together, putting their violent past behind them as they bond while searching for the white rooster she has demanded as proof of his love. Nguyen has interwoven true stories of child soldiers in Burma with footage captured in the Democratic Republic of Congo to fashion a story of touching beauty about the search for love and finding inner peace. (90 mins.)

Filmography: The Marsh (02), Truffe (08), City of Shadows (10)

This year’s Canadian submission for the Best Foreign Language Film Oscar.

Sponsored by MercyCorps.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature.

With moving intimacy, Vega depicts the challenges and obstacles that face Colombia’s indigenous population—not just the struggle to sustain cultural traditions and values but simply to stay alive in the strife that has long beset the country. Fleeing the fighting in her hometown that has taken her family, 19-year-old Alicia arrives at her aunt and uncle’s ramshackle inn, La Sirga, on the isolated shores of a lake high in the Andes. By day, Alicia assists the couple in fixing up the inn, hoping the area’s tourists will return next season, but at night, perhaps due to the trauma she has...

With moving intimacy, Vega depicts the challenges and obstacles that face Colombia’s indigenous population—not just the struggle to sustain cultural traditions and values but simply to stay alive in the strife that has long beset the country. Fleeing the fighting in her hometown that has taken her family, 19-year-old Alicia arrives at her aunt and uncle’s ramshackle inn, La Sirga, on the isolated shores of a lake high in the Andes. By day, Alicia assists the couple in fixing up the inn, hoping the area’s tourists will return next season, but at night, perhaps due to the trauma she has witnessed, Alicia sleepwalks. Against this setting of evocative natural beauty, a quiet drama of identity and healing plays out in enthralling fashion. (88 mins.)

First Feature.

Sponsored by OPB.

FILM REVIEW

Interests: New Directors, Narrative Feature, Spanish Language.

Winner of the Golden Bear at the Berlin Film Festival and this year’s Italian submission for the Best Foreign Language Film Oscar, Caesar Must Die deftly melds narrative and documentary in a powerful drama-within-a-drama. In Rome’s Rebibbia prison, the prisoners prepare to stage Shakespeare’s Julius Caesar and in exploring the text find a tale of fraternity, power, and betrayal that parallels their own lives and stories. Seamlessly moving in and out of the text as they wrestle with notions of necessity and the boundaries of order, drama comes alive on multiple, and timeless, levels. “This latest masterpiece from Italy’s famed...

Winner of the Golden Bear at the Berlin Film Festival and this year’s Italian submission for the Best Foreign Language Film Oscar, Caesar Must Die deftly melds narrative and documentary in a powerful drama-within-a-drama. In Rome’s Rebibbia prison, the prisoners prepare to stage Shakespeare’s Julius Caesar and in exploring the text find a tale of fraternity, power, and betrayal that parallels their own lives and stories. Seamlessly moving in and out of the text as they wrestle with notions of necessity and the boundaries of order, drama comes alive on multiple, and timeless, levels. “This latest masterpiece from Italy’s famed Taviani brothers not only serves as a deeply human document but a caustic portrait of our own imprisoned societies, reminding us that a life without art truly is a prison.”—AFI Fest (76 mins.)

Selected Filmography: Allonsanfan (74), Padre Padrone (77), The Night of Shooting Stars (82), Fiorile (93)

Sponsored by the Italian Cultural Institute, San Francisco and the Italian Film Commission, Los Angeles.

FILM REVIEW

Interests: Oscar Submissions, Documentary.

Leyla and Kaveh are a mysterious pair from Tehran, traveling the mountainous countryside in their Lexus coupe to push big bags of money on the locals. This turns out to be not so easy but fascinating to watch as the cagey couple invent increasingly brazen stratagems to place cash in the hands of the wary, proud, or indifferent. Will they push things too far? Are they losing sight of their mission? What exactly is their mission? This bold, perversely fascinating comedy-drama unfurls with unexpected force amid subtle themes of power, privilege, and corruption. “Setting the scene is a brilliantly shot...

Leyla and Kaveh are a mysterious pair from Tehran, traveling the mountainous countryside in their Lexus coupe to push big bags of money on the locals. This turns out to be not so easy but fascinating to watch as the cagey couple invent increasingly brazen stratagems to place cash in the hands of the wary, proud, or indifferent. Will they push things too far? Are they losing sight of their mission? What exactly is their mission? This bold, perversely fascinating comedy-drama unfurls with unexpected force amid subtle themes of power, privilege, and corruption. “Setting the scene is a brilliantly shot comic opener that starts the game over-the-top, in a tone which only gets shriller and wilder as the story goes on. By far the director’s most daring work.”—Hollywood Reporter (100 mins.)

Selected Filmography: Abadan (04), Men at Work (06), Canaan (08)

Modest Reception is co-presented by the Global Film Initiative and is part of the Global Lens 2013 film series.

Sponsored by Javanan Magazine, Portland.

FILM REVIEW

Interests: Narrative Feature, Middle Eastern, Comedy.

With perfectly judged performances from Andy Lau and Deanie Ip (winner of the Best Actress Award at the Venice Film Festival), Ann Hui’s moving film looks at the decades-long relationship between a man and his devoted family servant. Ip plays Ah Tao, who has worked for the Leung family for 60 years. For the past decade, the only member of the family left in Hong Kong is Roger (Lau), who works in the film industry. Having cared for Roger from childhood, Ah Tao suffers a stroke and asks to be admitted to a nursing home. There, she becomes part of...

With perfectly judged performances from Andy Lau and Deanie Ip (winner of the Best Actress Award at the Venice Film Festival), Ann Hui’s moving film looks at the decades-long relationship between a man and his devoted family servant. Ip plays Ah Tao, who has worked for the Leung family for 60 years. For the past decade, the only member of the family left in Hong Kong is Roger (Lau), who works in the film industry. Having cared for Roger from childhood, Ah Tao suffers a stroke and asks to be admitted to a nursing home. There, she becomes part of a new family made up of colorful characters. All the while, as roles are reversed, Roger tenderly cares for her as she enters the final phase of her life. Based on a true story, A Simple Life delicately traces a decades-long bond with pathos and humor. (118 mins.)

Selected Filmography: Boat People (82), Song of the Exile (90), Ordinary Heroes (99), All About Love (10)

This year’s Hong Kong submission for the Best Foreign Language Film Oscar.

Sponsored by Perkins Coie.

FILM REVIEW

Interests: Oscar Submissions, Narrative Feature, Asian.