Films & Schedules - New Directors

This quirky tale pits a scamming hustler and his wrestler sidekick against the inhabitants of a small Uruguayan town.

A combination of quirky dark drama and deadpan satire plays out in this stylish tale of a washed-up wrestler and a smooth conman in a sleepy village in South America. “Prince” Orsini, an impresario, arrives in a small town with his protégé, a one-time German wrestling champion named Jacob Van Oppen. Orsini’s scheme is to use Jacob’s status to lure locals into duels with him, promising a large cash sum to anybody who can pin him in three minutes. In reality, the matches are fixed to protect Jacob’s reputation—and Orsini’s income. The pair’s plan is threatened when an opponent is too drunk to wrestle, and femme fatale Adriana, eying the non-existent $1,000 prize, offers up her muscular husband as the replacement opponent. Jacob, nursing sore muscles, a nasty cough, and an even nastier alcohol habit, is in trouble. “Brechner’s ambitious debut is something like a retro The Wrestler by way of the Coen brothers.”—Variety.

First Feature Film.

This year’s Uruguayan submission for the Best Foreign Language Film Oscar.

110 Minutes    

Interests: New Directors, Oscar Submissions, Narrative Feature, Spanish Language, Latino.

Father and son gangsters freshly released from prison must keep their criminal enterprise afloat while trying to figure out who ratted them out. Was it Bill's wife or their despised family "friend"? Anyone is a suspect in this blackly comic piece of criminal realism.

Ken Loach meets “The Sopranos” might characterize this darkly comic and sometimes disturbing slice of social surrealism in which a family of dysfunctional crooks tries to keep their criminal enterprise from falling apart. As soon as Bill (Bob Hill) and his son Karl (Rob Hill) are released from jail, they try to figure out who ratted them out to the police. Bill’s partner (Julia Deakin) seems like your average housewife, but there’s something about her that suggests she may have had a hand in it. It soon becomes evident that this ordinary terraced house is packed to the rafters with gangsters. Among others, we meet a despised family “friend” (Tony Way), a hit man (Michael Smiley) who takes his toddler along on jobs, Karl’s pregnant girlfriend (Kali Peacock), and a nasty piece of work named Eric (David Schaal). Paranoia reigns supreme in this house, where everyone is suspicious of everyone else.

First Feature Film.

Winner of the Best Feature Prize at Fantastic Fest.

89 Minutes     Digital    

Interests: New Directors, Narrative Feature, Comedy.

For the Love of Movies offers an insider’s view of the critics’ profession, with commentary from some of America’s best-regarded reviewers.

Boston Phoenix film critic Peary has crafted an entertaining and informative history of American film criticism from its raw beginnings before The Birth of a Nation to Bowsley Crowther’s 27-year reign at The New York Times; from the incendiary Pauline Kael-Andrew Sarris debates of the 60s and 70s right up to the current battle for audiences between youthful Web site populists and the veteran print establishment. Providing a unique insider’s view of the film critic’s profession are comments by some of America’s most influential film writers, including A.O. Scott (The New York Times), Lisa Schwarzbaum (Entertainment Weekly), Roger Ebert (The Chicago Sun-Times), as well as other legends like Sarris, Janet Maslin, and Jim Hoberman.

First Feature Film.

Joining Gerald Peary after the Sunday screening will be Portland film critics Shawn Levy, D.K. Holm, Aaron Mesh, Erik Henriksen, and Eric Snider.

Sponsored by OregonLive.com.

81 Minutes     Digital    

Interests: New Directors, Documentary Views, Art.

Heliopolis follows the lives and frustrations of a host of characters living in Cairo's historic Heliopolis district.

This ensemble drama’s sharp critique of Egyptian society is matched by a nostalgia-drenched longing for life before the 1952 revolution. Using intertwining stories, Abdalla skillfully sheds light on the small struggles of everyday life in Cairo, and on the discontent that seems to pervade one particular district of the city. Criss-crossing Cairo’s historical Heliopolis neighborhood, we share the minor travails of various players over the course of a single day. Hany wants to procure a visa to travel abroad. Ali and Maha want to buy Hany’s apartment but must first negotiate gridlock. Grad student Ibrahim wants to interview an uncooperative subject. Hotel clerk Engy simply wants to be anywhere but Egypt. As they each fail to achieve their meager goals, Abdalla suggests that their individual frustrations stem from an underlying discontent endemic in Egyptian society.

First Feature Film.

96 Minutes    

Interests: New Directors, Narrative Feature, French Language, Middle Eastern.

In this sensational comedy, a film composer with writer's block and a pregnant executive enter into an unusual bargain to keep a secret from the exec's conservative mother.

Ezequiel, a nearly broke film music composer, has 20 days to deliver a score. He’s just not hearing it. One day he calls his bank, and listening to muzak while on hold for Paula, an executive he’s never met, he hears a song that inspires a breakthrough. How to find that song again, among the hundreds of inane on-hold muzak tunes? Paula, meanwhile, has not told her very conservative mother that, though she is pregnant, she is no longer with her boyfriend. When mother and composer both wind up in her office, she impulsively introduces Ezequiel as the father. They each have something the other needs, and though they are not even acquaintances, Ezequiel and Paula soon enter into a strange partnership. A witty romantic comedy that has been a sensation in Argentina, Hernán Goldfrid’s breezy film features a stellar cast, including Norma Aleandro, Diego Peretti, and Natalia Oreiro.

First Feature Film.

106 Minutes    

Interests: New Directors, Narrative Feature, Spanish Language, Latino, Comedy, Music.

October Country is a beautifully rendered portrait of an American family struggling for stability while haunted by the ghosts of war, teen pregnancy, foster care, and child abuse.

Winner of the Grand Jury Prize for best U.S. Documentary Feature at the American Film Institute’s Silver Docs Festival, October Country is a beautifully rendered portrait of an American family struggling for stability. Dottie, matriarch of the upstate New York family, says it all in the opening sequence: “If you don’t have family, you don’t have anything.” The phrase echoes as a story rife with war trauma, teenage pregnancy, domestic and sexual abuse, and foster care achingly unfolds. Portland filmmakers Palmieri and Mosher examine intimately the forces that unsettle the working poor and the violence that lurks beneath the surface of American life. With rich visual metaphors that float through multiple storylines, they paint a portrait of a family that is unique, but also sadly representative of the struggles of many.

First Feature Film.

83 Minutes     Digital    

Interests: New Directors, Documentary Views.

Room and a Half portrays the life of Nobel prize-winning poet Joseph Brodsky, who was forced into American exile in 1972.

Exiled to the United States in 1972, the famous Russian poet Joseph Brodsky always wanted to return anonymously to St. Petersburg, the city of his youth. Through a variety of imaginative techniques, 69-year-old animator Andrey Khrzhanovsky has made the Nobel Prize winner’s wish come true in Room and a Half. A fictional Brodsky narrates this nostalgic fantasy on board a cruise ship destined for Russia. Through a series of flashbacks he recalls his childhood, in particular the return of his father, laden with gifts, from World War II, and his parents’ affectionate reunion. It appears an idyllic time for the budding scribe who “live[s] in a city whose color [is] fossilized vodka.” Through the seamless fusion of documentary footage, classical Russian music, still photography, recordings of Brodsky reading his work, and beautiful, dreamlike animation, Khrzhanovsky has created a film as poetic as his subject matter.

First Feature Film.

130 Minutes    

Interests: New Directors, Narrative Feature, Animation, Literature.

Leonidas is a small-town cop who yearns to solve important crimes in the big city. However, with the mysterious death of the town drunk, Leonidas' subsequent investigation reveals that there is more to this sleepy beach community than he first imagined.

Leonidas, a young, ambitious police officer, is assigned to a remote Greek island in the Aegean. He dreams of solving important, big-city crimes, but there are few to be found in the sleepy community where he is reduced to menial chores. Each day at the town café, Leonidas and the locals watch the beautiful Angeliki, the small island’s most famous daughter, as she hosts a popular talk show on national TV. These dull rituals are shattered when the island experiences what appears to be an actual crime: the island drunk, Zacharias, is found dead at the base of a cliff. Jumping at the chance to do some sleuthing, Leonidas soon finds clues that tie the victim to Angeliki, who returns to the island and joins the investigation. As romance blooms between Leonidas and Angeliki, they learn that everyone on the island has their own Zacharias, and their stories play out hilariously in Leonidas’ imagination.

First Feature Film.

84 Minutes    

Interests: New Directors, Narrative Feature, Comedy.

Sweetgrass takes on the mythology of the American West as it observes a seasonal last roundup of sheep by ranchers in Montana.

Lucien Castaing-Taylor, who teaches in Harvard’s Visual Anthropology department, and Ilisa Barbash, of Harvard’s Peabody Museum, describe themselves as “recordists” rather than filmmakers, as they capture a family and their animals in their final season herding sheep in Montana’s spectacular Absaroka-Beartooth mountain range. The herders work like cowboys out of the old West, but unlike cattle, stubborn sheep can be hilarious to watch. From the cockeyed sight of a massive sheep drive down a small town’s empty main drag, to a herder pouring his heart out on a cell phone at the top of a monumental vista, Castaing-Taylor and Barbash sharpen their sense of humor as well as their all-embracing lens to create an unforgettable cinematic experience. “A really intimate, beautifully shot examination of the connection between man and beast.”—The New York Times.

First Feature Film.

Sponsored by Alaska Airlines.

105 Minutes     Digital    

Interests: New Directors, Documentary Views, Global Classroom.

This surreal, stop-motion adaptation of a popular European television show has Cowboy, Indian, and Horse traveling through space and time on a quest to free their wrongly imprisoned neighbor. A gleefully surreal treat for animation fans of all ages.

This thoroughly delightful, surreal stop-motion animated fantasy tells of an eccentric provincial village and its beguiling inhabitants. The impetuous Cowboy and Indian, eager to buy a birthday gift for their more mature roommate, Horse, accidentally set off a chain of events that destroys their residence and places their innocent neighbor behind bars. Setting out to right their wrongs, Cowboy and Indian are joined by Horse and taken on a journey to the center of the earth, across a frozen tundra, and into a bizarre underwater parallel universe. Rendered in a completely charming style, this feature film version of a popular European television program will thrill animation lovers of all ages.

First Feature Film.

In French with English subtitles.

Sponsored by French American International School.

75 Minutes    

Interests: New Directors, Narrative Feature, Animation, Family Fare.

Don Hahn's engaging look at the resurgence of the Disney company's animation tradition.

By the mid-1980s, the once mighty Disney Animation Studios were in a slump. Despite a flock of eager and talented young animators, innovation at the studio was held at bay by an old guard of conservative original-era executives. By the end of the 1990s, however, Disney had produced a string of bona fide hits from Who Framed Roger Rabbit? to The Lion King. What can account for this turnaround? Director Don Hahn is a 30-year Walt Disney Studios veteran, and his juicy behind-the-scenes tell-all of this transitional period is an encyclopedia of first-hand footage, drawings, and interviews detailing all the in-fights and ego trips, unequivocal failures and soaring successes, tragic lows and elating highs of the Disney renaissance.

First Feature Film.

Sponsored by Bingo Lewis.

86 Minutes     Digital    

Interests: New Directors, Documentary Views, Global Classroom, Animation, Art.

Love, identity, and role-playing games all come together in this meshing of myth and reality. A man enters a LARP (Live Action Role Playing) game to find his girlfriend, who has left him for the game. His refusal to role-play angers the dedicated players and sets fantasy and reality on a collision course, capturing the potentially dangerous intersection of actual and made-up worlds.

In a dark forest, a battle is brewing between the power-hungry Celts, the rampaging Vikings, the secretive wood elves, and a mysterious shaman who is about to unleash his latest fiendish scheme. Clever, funny, and intense, The Wild Hunt is set in the fantasy-reality of a large role-playing game, and the plot mirrors the legend behind the game. Erik goes looking for his girlfriend, Evelyn, who has left him for the game. He will need the help of his brother Bjorn, who happens to be the Viking leader and owner of Thor’s hammer, Mjolnir. Erik’s entry into the game angers the dedicated players when he refuses to role-play, setting fantasy and reality on a collision course. Capturing the potentially dangerous intersection of actual and made-up worlds, Franchi’s film is a timely, potent comment on the modern yearning for ritual and the consuming nature of adopting another identity.

First Feature Film.

Best Canadian First Feature Film, Toronto International Film Festival.

96 Minutes    

Interests: New Directors, Narrative Feature.