Films & Schedules - A

A taut, involving drama centered around the mysterious disappearance of a young woman.

Ahmad, divorced from his German wife, has recently returned to Tehran. Looking forward to joining a group of old university friends for a weekend getaway on the Caspian Sea, he reflects that perhaps it is time to find an Iranian wife. One of the group, Sepided, has invited someone new, an attractive teacher named Elly, who she thinks just might be a match for Ahmad. But as the lighthearted gathering settles in, Elly mysteriously disappears from their seaside bungalow. As lies and deception compound into catastrophe, About Elly focuses on the behavior and values of the Iranian middle class, illustrating how convention, conformity, and tradition can be restrictive, even among those who fool themselves into thinking they are not guided by them.

Filmography: Beautiful City (04), Fireworks Wednesday (06).

Winner of the Best Narrative Feature award at the Tribeca Film Festival and this year’s Iranian submission for the Best Foreign Language Film Oscar.

119 Minutes    

Interests: Oscar Submissions, Narrative Feature, Middle Eastern.

A powerful crime drama set in Jaffa’s multi-ethnic Ajami neighborhood, a melting pot of cultures and conflicting views among Jews, Muslims, and Christians.

Winner of the Best Film, Director, and Screenplay awards at this year’s Israeli Film Academy ceremony, this powerful collaboration between Shani (Israeli) and Copti (Palestinian) offers a unique perspective on the myriad complexities of the greater Israeli-Palestinian conflict. Ajami is a tough Jaffa neighborhood, rife with tension. In this multi-ethnic stew, a powerful Bedouin clan wages a violent vendetta against a poor family that has offended its honor. A teenage worker from the occupied territories desperately tries to raise money to help his ailing mother. A Jewish police detective struggles with the disappearance of his brother. An affluent Palestinian and his Jewish girlfriend dream about the future. As these gripping stories intersect, we witness the dramatic collisions in a world of sustained, machismo-fueled chaos.

First Feature Film.

This year’s Israeli submission for the Best Foreign Language Film Oscar.

Sponsored by the Consulate General of Israel to the Pacific Northwest.

120 Minutes    

Interests: Oscar Submissions, Narrative Feature, Jewish, Middle Eastern.

The decades-long battle for control of the Barnes Foundation's near-priceless collection of impressionist art—as waged by the city of Philadelphia against the collection's protectors—is the riveting focus of Don Argott's documentary.

“What is art’s relationship to the public at large and who decides who gets to see it? Rarely has the City of Brotherly Love seemed so rancorous as in Don Argott’s fascinating, thoroughly researched documentary on the Barnes Foundation in Merion, Pennsylvania. The foundation, established by Dr. Albert Barnes in 1922, boasts one of the world’s largest collections of impressionist, post-impressionist, and early modern paintings—works that Barnes wished to make accessible to serious students and everyday people. But since his death in 1951, lawyers, elected officials, and businesspeople have sought to exploit the Foundation, ignoring the express wishes of Barnes never to turn his collection into an enormous tourist attraction—and never to move it to Philadelphia, a city he despised. The Art of the Steal is filled with intrigue, conflicting reports, enormous egos, and provocative questions about money, culture, and art.”–New York Film Festival.

Filmography: Rock School (05), Head Space (06), Two Days in April (07).

101 Minutes    

Interests: Documentary Views, Art.