Films & Schedules - Wednesday, February 17, 2010

A powerful crime drama set in Jaffa’s multi-ethnic Ajami neighborhood, a melting pot of cultures and conflicting views among Jews, Muslims, and Christians.

Winner of the Best Film, Director, and Screenplay awards at this year’s Israeli Film Academy ceremony, this powerful collaboration between Shani (Israeli) and Copti (Palestinian) offers a unique perspective on the myriad complexities of the greater Israeli-Palestinian conflict. Ajami is a tough Jaffa neighborhood, rife with tension. In this multi-ethnic stew, a powerful Bedouin clan wages a violent vendetta against a poor family that has offended its honor. A teenage worker from the occupied territories desperately tries to raise money to help his ailing mother. A Jewish police detective struggles with the disappearance of his brother. An affluent Palestinian and his Jewish girlfriend dream about the future. As these gripping stories intersect, we witness the dramatic collisions in a world of sustained, machismo-fueled chaos.

First Feature Film.

This year’s Israeli submission for the Best Foreign Language Film Oscar.

Sponsored by the Consulate General of Israel to the Pacific Northwest.

120 Minutes    

Interests: Oscar Submissions, Narrative Feature, Jewish, Middle Eastern.

October Country is a beautifully rendered portrait of an American family struggling for stability while haunted by the ghosts of war, teen pregnancy, foster care, and child abuse.

Winner of the Grand Jury Prize for best U.S. Documentary Feature at the American Film Institute’s Silver Docs Festival, October Country is a beautifully rendered portrait of an American family struggling for stability. Dottie, matriarch of the upstate New York family, says it all in the opening sequence: “If you don’t have family, you don’t have anything.” The phrase echoes as a story rife with war trauma, teenage pregnancy, domestic and sexual abuse, and foster care achingly unfolds. Portland filmmakers Palmieri and Mosher examine intimately the forces that unsettle the working poor and the violence that lurks beneath the surface of American life. With rich visual metaphors that float through multiple storylines, they paint a portrait of a family that is unique, but also sadly representative of the struggles of many.

First Feature Film.

83 Minutes     Digital    

Interests: New Directors, Documentary Views.

The story of a supermarket security guard's obsession with a late-shift janitor.

Jara (Horacio Camandule) spends his nights as a security guard on the graveyard shift at a Montevideo supermarket in stoic silence—eating pastries, doing crossword puzzles, and watching the confines of his world go by on a bank of TV monitors. Something stirs in Jara, though, when he catches sight of a cleaning woman (Leonor Svarcas) in the fluorescent glare of the empty supermarket floor. Too shy to speak, he begins following the woman after work, decoding her secrets while continuing to deny his own. Will the gentle giant ever summon the courage to approach her? Set against the dreary background of economic recession and distinguished by Camandule’s heart-wrenching performance, this nearly silent one-way love story—which the director himself considers “a subversion of the classic … romantic comedy”—earned three awards at the 2009 Berlin Film Festival, including the Silver Bear and the Best Debut Film Prizes.

First Feature Film.

84 Minutes    

Interests: Narrative Feature, Spanish Language, Latino.

A darkly comic story of three generations of Polish women and the mysterious young man whose presence sparks a series of surprising events that change all of their lives.

Lankosz’s darkly comic film tells the story of three generations of women living together at the peak of Stalinist terror in 1950s Poland. In the middle of the capital, the foundations of the Palace of Culture are being raised. Sabina has just turned 30 and her mother is trying to find her a husband. Her grandmother has rated the candidates, yet Sabina isn’t interested in any of them. One day, under dramatic circumstances, she meets Bronislaw, a young man with the looks of a peasant movie star. Though Bronislaw is vulgar, Sabina can’t help but fall for him, and thus sets in motion a series of surprising events that will change the lives of all three women and reveal the darker side of their natures.

First Feature Film.

Winner of the Best Film and Audience Awards at the Gdynia Polish Film Festival and the FIPRESCI Critics Award at the Warsaw Film Festival. This year’s Polish submission for the Best Foreign Language Film Oscar.

Sponsored by the Consulate General of the Republic of Poland, Los Angeles.

101 Minutes    

Interests: Oscar Submissions.

Valery Todorovsky's period-set musical Hipsters centers around a group of splashy young rebels living in Moscow in the 1950s.

Moscow, 1955. In the midst of strict Cold War Soviet conformity, nothing can stop a group of young “hipsters” from donning outrageous threads, adopting American nicknames, puffing up their pompadours, throwing back martinis, and reveling in forbidden jazz. Straight-laced 20-year-old Communist Youth Party member Mels finds these brazen renegades shocking until he falls under the spell of a pretty one and joins the new revolution. Soon he’s cavorting in the latest flashy fashions, sporting an enormous do, and wailing on the saxophone—all in an exuberant musical that delves into a chapter of Russian history little known to outsiders. Music and the common dream of America become a manifestation of freedom. The winner of four Nika Awards (Russia’s Oscar) including Best Film, Hipsters is universal in its celebration of self-expression and spirited opposition to conformity.

Filmography: Love (92), The Land of the Deaf (98), The Lover (02), My Stepbrother Frankenstein (04).

Sponsored by Hotel Modera.

125 Minutes    

Interests: Narrative Feature, Music.

The Girl On The Train tells the true story of a young woman who claimed to be the victim of an anti-Semitic attack on a Paris suburban train.

A young woman, Jeanne (Émilie Dequenne), reports that skinheads attacked her, seemingly for being a Jew. The incident becomes a media sensation and attorney Samuel Bleistein (Michel Blanc), an old friend of Jeanne’s mother Louise (Catherine Deneuve), takes the case. The incident and its aftermath, drawn from real events, formed the core of Jean-Marie Besset’s play on which the film is based, but for Téchiné, the dramatic entanglements provide an opportunity to explore the complex family and social relationships that surround and define his characters. Notions of class, ethnicity, and who’s in and who’s out in contemporary France course through the film, offering a provocative reflection on the creation of identity at a time of ever-increasing social tension.

Selected Filmography: The Bronte Sisters (79), I Don’t Kiss (91), My Favorite Season (93), Alice and Martin (98), Changing Times (04), The Witness (07).

Sponsored by TV5MONDE and with support from the Cultural Services of the French Embassy.

110 Minutes     Digital    

Interests: Narrative Feature, French Language, Jewish.

Welcome tells the story of a young Kurd, Bilal, who aims to swim to England from Calais, and the swimming instructor who agrees to train him for the treacherous crossing.

Managing to be political without being heavy-handed, Welcome focuses on illegal immigrants trying to reach England from Calais, and the risk taken by the French people who help them. Bilal, a 17-year-old Kurdish refugee, left his native Iraq shortly after his girlfriend emigrated to England, and wants to join her. His trek across Europe comes to an abrupt end on the northern coast of France. How to get across the cold English Channel? He decides to head for the local swimming pool to begin training for the swim of his life. There he meets lifeguard Simon, to whom he eventually confides his grand plan. Simon takes Bilal under his wing and secretly teaches him how to do the crawl, despite ongoing threats from the police, who imprison those who aid a growing community nurturing an inextinguishable hope of making a new life in the West.

Selected Filmography: Lost In Transit (93), Don’t Make Trouble (01), The Light (04).

Sponsored by TV5MONDE and with support from the Cultural Services of the French Embassy.

116 Minutes    

Interests: Narrative Feature, French Language.

Set in the 1930s Manchurian desert, three Korean men—a bounty hunter, a gang leader, and a train robber—meet aboard a train and engage in a chase across Manchuria to take possession of a mysterious map.

“One might call director Kim Ji-woon’s stunning homage to Clint Eastwood and Sergio Leone a kimchi Western. The film boasts masterful high-speed action like you’ve never seen before: think Stagecoach meets high-wire Jackie Chan meets The Road Warrior. Tongue firmly in cheek, this action-comedy is set on the Japanese-occupied Manchurian steppe in the 1930s as a bizarre trio of Korean exiles—The Good (a sharp-shooting bounty hunter in a duster), The Bad (a wickedly handsome knife-throwing gang leader) and The Weird (a two-fisted gun-slinging thief)—get their hands on a treasure map and then set off in hot pursuit of buried Qing dynasty loot. Kim’s exhilarating, escalating mayhem pits our three antiheroes against fast-moving trains, horses, trucks, motorcycles, Jeeps, explosions, Japanese and Chinese soldiers, and Russian bandits. And, after all that, their final, existential showdown does not disappoint.”—AFI Fest.

Selected Filmography: A Tale of Two Sisters (03), Bittersweet Life (05).

130 Minutes    

Interests: Narrative Feature, Asian.

Set during the Qing Dynasty, The Warlords tells the story of the rise of General Pang, whose ascent is aided by two bandits who become his blood brothers. Almost inevitably, power breeds greed and hubris, and the brotherhood collapses in a spiral of resentment and betrayal.

“With a cast of thousands, spectacular battle scenes, Shakespearean-style rumination on the corrupting influence of power, and a story of love and loyalty played with dramatic intensity and martial arts fury, The Warlords reigns as the Asian super-production for the new millennium. All revolves around the tragic fate of General Pang (Jet Li), whose noble intention to bring peace and stability to late 19th-century Qing Dynasty China turns into vaunted ambition for personal power and glory. Pang is joined by two bandits who become his sworn blood brothers. Zhao (Andy Lau) and Jiang (Takeshi Kaneshiro) help Pang rise to power, carrying out impossible campaigns for the Qing court, defeating Taiping rebels, and conquering cities. Along the way, Pang becomes attracted to Zhao’s wife (Xu Jinglei), and massacres prisoners whom Zhao had promised to protect. Soon, the brotherhood collapses in a spiral of betrayal and death.”—San Francisco Film Festival.

Filmography: He’s a Woman She’s a Man (94), Comrades: Almost a Love Story (96), Perhaps Love (06).

126 Minutes    

Interests: Asian.